Well, once again I’ve done a bang-up job of keeping you, my adoring public, up-to-date on the latest additions to my ever-swelling bibliography.
It’s already been a week since I reviewed that good-but-not-quite great Rilo Kiley show for DCist. I heard night two was better. Jenny Lewis, I am sad to report, while plenty toothsome, is not quite as fetching in real life as she appears in this photo. She sounded great, though
My interview with original mekon, Waco Brother, Pine Valley Cosmonaut and Waco Brother Jon Langford appeared on Monday. It got cut down a bit from its original, arguably more self-aggrandizing incarnation, so I may post the unabridged version here. The mekons show at Jammin’ Java that night was just swell; 11o or so minutes of mostly-acoustic mekes, including a big batch from the new Natural LP as well as reworked classics like “Hard to Be Human Again,” “The Curse,” a Sally Timms-sung version of “The Letter,” and “Thee Olde Trip to Jerusalem.” Langford signed my copy of Nashville Radio for me afterwards.
My so-so review of P.J. Harvey’s White Chalk ran Tuesday in the Paper of Record. I seem to be breaking with the critical cognoscenti on this one; nearly everyone else loves it. I think it’s, you know, good for when you’re a certain type of mood. Solitary. Despondent. Sylvia Plath. I try not to spend a lot of my life in that mood.
That afternoon, I got some nice props from a reader (and from J. Freedom du Lac his own bad, bald self) during the Freedom Rock web-chat — about my Elvis Costello review from four-plus months ago! It reads like I planted it myself; check it out. (For the record, I didn’t join the chat until later, to make the case for Tunnel of Love being as strong a Bruce Springsteen album as Born to Run or Nebraska.)
And my Bat Boy review is up today.
Tomorrow I’m talking to Josh Ritter. Watch this space for out-of-date announcements!