You there: Settle a bet. Would this be art imitating life, or life imitating art? Or life imitating art imitating life?
This is going to take some explaining, so please be patient.
Round House Theatre’s production of Thomas Gibbons’s Permanent Collection, about a racially charged struggle for control of a museum, doesn’t open for three weeks. But the Phillips Collection is hosting a preview of selected scenes this evening. Why the Phillips? Because it’s about to close Man Ray, African Art, and the Modernist Lens — a brilliant, unconventional exhibit that touches on many of the same issues vis-à-vis how race impacts art’s perceived value that Gibbons’s 2004 drama does. Continue reading