A young Chuck Close with one of his many portraits of Philip Glass, from his 1969 photo of the composer.
Man, it is just crazytown that I’m blogging semi-prolifically over at the Washington City Paper’s Arts Desk and forgetting to update my own Internet sock drawer with linkage. Here’s my interview in two parts with the wildly versatile and adventurous composer Philip Glass. I still haven’t transcribed the part where we talk about his film-score work, but I promise I’ll get to it. Movies are always relevant.
Which reminds me: I also blogged about a very funny and inventive critical dissection of Star Trek, the youthful, sexy 2009 version. Always relevant, like I said.
