Tag Archives: The Shakespeare Theatre

This production of The Two Gentlemen of Verona had too much U2 in it, even for me.

Nick Dillenburg & Miriam Silverman, fine actors in a shaky production

Reviewed for the Washington City Paper.

Please Allow Me to Re-Introduce Myself: The Screwtape Letters Returns

Karen Wright (foreground) and Max McLean in The Screwtape Letters. (Jonny Knight)

Actor and dramatist Max McLean was thinking hard about hubris versus humility even before he had a hit show on his hands.

“According to [C.S.] Lewis — and he gets most of his ideas from John Milton —pride is the first sin, the real sin,” McLean says. “All other sins are byproducts of that.”

The star of The Screwtape Letters — a wickedly seductive adaptation of Lewis’s 1942 novella about a senior demon in Hell advising an apprentice demon on Earth as he tries to effect a man’s damnation — has reason to be cautious. His show, which is of course about the very process by which a man may be corrupted, is enjoying boffo success. It begins a return engagement at the Shakespeare Theatre Company’s Landsburgh Theatre tonight. Continue reading

An As You Like It Gone Hollywood

Francesca Faridany’s Rosalind and John Behlmann’s Orlando.

All the world’s a stage, except when it’s a film set.

The Shakespeare Theatre’s new production of As You Like It, the philosophizing romantic comedy set largely in a curative mystical forest, has adopted the trappings of an altogether different wood, one that no one ever accused of being good for you. (That’d be the one that starts with Holly.) The show begins ingeniously as a flickering silent film with title cards, but quickly assumes the props and types of a modern movie shoot, with boom-mic operators and cameramen and headset-wearing production assistants scurrying between scenes. We even hear Ted van Griethuysen growl “Cut!” now and again. Continue reading