I’ve liked all of writer-director Edgar Wright’s movies, so it’s no surprise that I flipped for his comic thriller Baby Driver. It sings like Freddie Mercury, it dances like Fred Astaire, it burns enough rubber to curl Vin Diesel’s hair. Run, don’t walk; but for God’s sake don’t drive because you’re likely to kill someone on your way home.
Here we are in Year Ten of the Marvel Cinematic Era, and not one piece of music has emerged from any of the two dozen films based on Marvel characters (released by Marvel Studios and others) that can rival John Williams’ mighty score for Superman: The Movie or even Danny Elfman’s brooding Batman theme.
For years I’ve wondered why this is. But only two days ago did I at last get to ask someone who might know. On today’s All Things Considered, I speak with Rupert Gregson-Williams, who composed the score for director Patty Jenkins’ fine Wonder Woman. You might even hear a cameo by one of the most venerable heroes of the National Public Radio universe, the great Bob Mondello.
Posted in movies, radio, super-heroes, Uncategorized
Tagged All Things Considered, Andrew Limbong, Batman, Bob Mondello, Chris Pine, Danny Elfman, Gal Gadot, John Williams, Joss Whedon, movies, Nina Gregory, NPR, soundtracks, Superman
My review of Woolly Mammoth Theatre Company’s “rich and fervent” production of Taylor Mac’s family tragicomedy Hir is in this week’s Washington City Paper, along with a shorter one of WSC Avant Bard’s latest King Lear — which just might be the swan song of one of DC’s most venerable actors, the great Rick Foucheux. Pick up a paper copy for old time’s sake.
Posted in pride, theatre
Tagged Christopher Henley, Emily Townley, Frank Britton, Mitchell Hebert, play reviews, Rick Foucheux, Sara Barker, Tom Prewitt, Washington City Paper, Woolly Mammoth Theatre Company, WSC Avant Bard
The Terminator is one of my favorite movies. When my Windy City pals Adam Kempenarr and Josh Larsen announced the other week that they would make writer-director James Cameron’s low-budget, high-concept sci-fi classic the subject of one of their “Sacred Cow” reviews, I knew that the likelihood that Josh—a critic who generally seems to dislike action films, with the bizarre exception of the Fast & the Furious franchise, which to me represents the genre at its most derivative and least inspired—would rain on it. He hates Predator, people! Predator! A film I saw last year at the Library of Congress!
So I took action. To paraphrase Al Capone, you can get farther with a kind word and a quote from The Terminator than you can with a kind word alone. And the threatening voice mail I left for Josh opened last week’s episode.
It’s a strange coincidence that Sir Roger Moore, 007 No. 003, died only about 48 hours after the premiere of the very funny Hulu documentary Becoming Bond, about one-and-done 007 George Lazenby — who, incredibly, landed the most sought-after role in showbiz (circa 1968) with double-oh-zero prior acting experience.
I’ll never get tired of this real-life story. And the Bond flick that resulted, On Her Majesty’s Secret Service, is in my Bond Top Five, way above of any of the Moore entries. Anyway, I wrote about all this for the weekend crowd. And I fan-casted Matt Gourley, again.
I wrote this piece quickly, and it occurred to me only after I’d send it off to my editor, the great Linda Holmes, that I might’ve mentioned the passage of the documentary wherein Lazenby explains the discovery that turned him from a failing salesman into into a successful one. He might’ve been talking about acting.
My pal-for-life Glen Weldon is Down Under this week—like Quigley, like Jackman, like Michael J. “Crocodile” Dundee—but I was glad to be part of a reduced Pop Culture Happy Hour panel along with host Linda Holmes and regular Stephen Thompson to dissect the messy but fascinating prequel-sequel Alien: Covenant and to marvel at how the political satire Veep has stayed so strong for six seasons. At the end of the episode, I give a little love to little-loved—by me, anyway—replacement 007 Sir Roger Moore, who passed away this week at the age of 89. You can hear the full episode here or embedded below.
Posted in movies, podcasts
Tagged 007, ALIEN, Aliens, H.R. Giger, James Bond, Linda Holmes, NPR, Pop Culture Happy Hour, PROMETHEUS, Ridley Scott, Roger Moore, shameless self-promotion, Stephen Thompson, Veep