Annie Baker’s Circle Mirror Transformation is the first show to open at The Studio Theatre since Joy Zinoman, the force of nature who founded the institution in the 1970s and served as its artistic director until just weeks ago, passed the torch to David Muse. Intentional or not, the selection of this generous, sharply observed comedy to begin the Muse era feels like a tribute to Zinoman, who along with charting the theatre’s creative course was also chief instructor in its conservatory. (She plans to continue teaching.)
Circle Mirror Transformation, which Muse directed, takes place in an acting class similar to the entry-level one Studio offers. I doubt Studio would allow a teacher to have his or her spouse as a student, as in Baker’s fictional class. But given the play’s small-town rec-center setting, the scenario seems plausible even though it’s a glaring violation of the Hippocratic — I mean, the attorney-client — well, it just seems like the kind of thing that could cause problems, is all. And guess what?