Enda the Road: Studio’s The New Electric Ballroom and Capital Fringe’s Unquiet Mind, review’d

Jennifer Mendenhall, Nancy Robinette and Sybil Lines in "The New Electric Ballroom"

The final entry in Studio Theatre’s Enda Walsh festival, The New Electric Ballroom, is the least rewarding, squandering some lovely performances — and, as always, Walsh’s muddy lyricism — in the service of an opaque story that asks you to accept that a mild romantic disappointment in adolescence would drive not one but two women smeared-lipstick crazy for 40 years. The show is often called a companion piece to the concurrently-running The Walworth Farce, which it preceded by a year, but to me it feels more like an early draft.

My Washington City Paper review is here, along with a complimentary assessment of the Capital Fringe-affiliated Run Through the Unquiet Mind.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s