On Friday I had the honor of doing 35 minutes of live radio with Andy Cirzan, the great archeologist of obscure holiday records who provided much of the inspiration for my own Yule-Tunes Eclectic and Inexplicable series. (I interviewed Andy a month ago for an essay about my mixtape project that ran in the Washington Post just after Thanksgiving.)
Anyway, Minnesota Public Radio’s The Daily Circuit invited us both on to talk about our mixtapes and recommend some yulejams that haven’t been played to death. I was afraid no one would be in the mood for this silliness when I realized our segment would follow an hour of reaction to the NRA’s spectacularly tone-deaf press conference about the Newton, Conn. school shootings, which the station had carried live a little over an hour before we went on. But I thought the segment turned out well. I had a great time.
You can listen to the whole segment here. Should it happen to pique your curiosity, my 2009-2012 yulemixes are on the upper periphery of your frame of vision, on the Musics of Christmas page of this site. You can grab Andy’s 2012 mixtape, Santa Soul, from Sound Opinions.
Happy holidays, everybody!
I don’t have a Christmas tree in my apartment yet. My friends haven’t seen me in weeks. My editors are all ready to fire me. I’ve been avoiding mirrors, but I assume I look like Ted Kaczynski.
It’s all for a noble cause: Every November & early December I fall into a four-to-six week time warp attempting to create the funniest and most reverent, most entertaining and most beguiling Christmas mixtape possible. (You may have read the essay I wrote about this project recently in the Washington Post. If you haven’t, please do.)
It is my great pleasure to unveil now for your hall-decking enjoyment entry No. 007 in my Yuletunes Eclectic & Inexplicable series. Ladies and Gentlemen, I give you the future of Christmas merry-making enforcement, Stay Hungry to Feed the World. In keeping with the perpetually inflating ethos of this project, it’s the longest one yet. When it comes to Christmas, less is less. And more? Is just the most. (Hear the mix after the jump.) Continue reading
Georges Méliès’ “A Trip to the Moon,” 1902.
I was a big admirer of writer/director/illustrator Natsu Onoda Power‘s Astro Boy and the God of Comics at Studio Theatre earlier this year, and also of Martin Scorcese‘s 2011 film Hugo, which was in part about pioneering filmmaker Georges Méliès. So I was excited to see Power’s new stage adaptation of Méliès’ most famous film, A Trip to the Moon — which I found promising but underdeveloped.
I review it in today’s Washington City Paper, along with a Faction of Fools’ A Commedia Christmas Carol.
I’m so honored and excited I’m sweating. Yes, it’s 70 degrees and muggy here in DC this December 4th, but it isn’t the climate that has me — svichting? Swatching? Whatever. It’s the fact that Andy Cirzan, my yulemix-making senpai, sent me his 2012 Christmas mix CD.
When it comes to holiday mixtapes, I am a mere padawan to Cirzan’s wizened Jedi master, dispensing ancient wisdom via oddly structured sentences he splashes around the swamps of Degobah. (He’s from Chicago, actually.) As you may recall if you happened to read my recent Washington Post essay about my yulemix, the seventh installment of which shall drop forthwith, Cirzan has been issuing compilations of obscure and often inexplicable seasonal gems for more than 20 years. Continue reading