This Was Supposed to Be the New World: Theater J’s After the Revolution and Woolly Mammoth’s Detroit, reviewed

Nancy Robinette & Megan Anderson in "After the Revolution." Photo: Stan Barouh/Theater J.

Nancy Robinette & Megan Anderson in “After the Revolution.” Photo: Stan Barouh/Theater J.

I was a bigger fan of Studio Theatre‘s production of Amy Herzog‘s 4,000 Miles earlier this year than I am of Theater J’s new staging of its companion play, After the Revolution.

I can’t fault director Eleanor Holdridge‘s staging of the latter for that; I just connected more strongly to the material in 4,000 Miles. Getting to see two marvelous actors, Tanya Hicken and Nancy Robinette, offer their takes on the same character — a close approximation of Herzog’s grandmother — in 4,000 Miles and Revolution, respectively, within a half-year of each other was fun.

I review After the Revolution in today’s Washington City Paper, along with Woolly Mammoth’s production of Lisa D’Amour‘s Detroit, which is a nice showcase for some of Woolly’s favorite actors — and mine, too.

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