This acrobatic Moreau is a rich sensual experience, one that deflates at the end but not before it has vividly dramatized Wells’s big question: Is physical suffering at best irrelevant and at worst necessary? Can we evolve by teaching ourselves to ignore it? By way of demonstrating his answer, Moreau takes a glinting blade and slices a red trail through his own forearm, ignoring the pain like he’s Peter O’Toole playing Lawrence of Arabia, or Gordon Liddy playing himself, or Gary Busey playing Mr. Joshua. (In Lethal Weapon, duh. Read a book, why don’t you.) We always hurt the ones we’re forcibly trying to improve.
My review of Synetic Theater’s new adaptation of The Island of Dr. Moreau is in today’s Washington City Paper, available wherever finer alt-weeklies are given away for free.
Its cover feature is “The DC Manual of Style and Usage,” the handy and hilarious brainchild of my editor, Jonathan L. Fischer, who announced this week that he’s leaving his post as the Washington City Paper’s managing editor to become a senior editor at Slate. He’s a meticulous, imaginative, patient editor who always smartened-up my copy, and a genius at punny headlines and captions. (Here’s just one example.) I look forward to working for him again.