I’m a few days late posting this. For the past two weeks I’ve been taking part in the Eugene O’Neill Theatre Center’s National Critics Institute — a professional boot camp for early-to-mid-career critics under the command of Chris Jones, the Chicago Tribune‘s chief theatre critic and a fine teacher of the craft, too. It’s been an intense couple of weeks of living in a spartan dormitory with a roommate, and hitting overnight deadlines almost every night. I’ll write about that a bit more once I’ve recovered.
In the midst of all that, I had to finish the cover story in this week’s Washington City Paper, about the 10th Capital Fringe Festival, which kicked off Thursday evening. I hope you will find it answers all your most pressing questions about Capital Fringe and co-founder/Executive Director Julianne Brienza’s plan to take it higher. I mean that literally. She wants to add three floors to the building she bought last year in Trinidad.
I wrote a prior cover story about CapFringe in 2010, and I covered the festival every summer from 2010 through 2014 as the editor of Fringeworthy (née Fringe & Purge), WCP’s dedicated all-things-Fringe blog. This year, I decided I’d rather attend the NCI than run the blog a sixth consecutive time. I’ve handed off the keys to a very capable successor.