Period Piece: The Man from U.N.C.L.E., reviewed.

I’m a sucker for sixties spy shit, and that Guy Ritchie’s new big-screen version of The Man from U.N.C.L.E. is, unlike most reboots of stuff from the period, actually set in the period is a big selling point for me. It luxuriates in the clothes, cars, and music of the era, updating only the sexual politics. My NPR review spends an unlikely sum of real estate discussing Dirty Dancing.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s