Monthly Archives: May 2017

Taking Trump Literally: Building the Wall, reviewed.

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Robert Schenkkahn’s Building the Wall, a terrifyingly plausible future-history of the Trump Administration that Forum Theatre has scrambled to shoehorn into their season, is a cry of warning that requires little suspension of disbelief.

I saw the show at Arena Stage last week in the first part of its bifurcated, two-venue run. It’s at Forum’s Silver Spring performance space May 18-17. Go. My review is in this week’s Washington City Paper, along with one of The Shakespeare Theatre’s Company’s more-is-less Macbeth.

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A Split Decision for Chuck

THE BLEEDERHere’s my NPR review of Chuck, a biopic about Chuck Wepner, the self-sabotaging New Jersey boxer who inspired Sylvester Stallone to write Rocky.  It ain’t bad, but I wanted to love it. Anyway, Rocky already has a wonderful latter-day lega-sequel.

Tinker Swinger Playwright Spy: Or, reviewed.

OR 8Given that Aaron Posner’s 2009 production of Tom Stoppard’s Arcadia at the Folger Theatre, starring Holly Twyford and Erin Weaver (and Cody Nickell and Eric Hissom) remains one of my favorite theatrical experiences, it’s a cinch I’d be susceptible to Posner’s reteaming with Twyford and Weaver in Or, Liz Duffy Adams’ erudite farce about seminal British playwright Aphra Behn. Here’s my Washington City Paper review.