Monthly Archives: June 2017

Nobody Puts Baby Driver in a Corner!

Ansel Elgort;Jon Hamm;Jamie Foxx;Eiza Gonzalez

I’ve liked all of writer-director Edgar Wright’s movies, so it’s no surprise that I flipped for his comic thriller Baby Driver. It sings like Freddie Mercury, it dances like Fred Astaire, it burns enough rubber to curl Vin Diesel’s hair.  Run, don’t walk; but for God’s sake don’t drive because you’re likely to kill someone on your way home.

Flying V Fights: The Secret History of the Unknown World, reviewed.

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Just because Flying V’s latest fight-choreography-themed show, The Secret History of the Unknown World, is pandering to me even harder than other fight-intensive shows doesn’t mean you won’t enjoy it, too. Read all about it in this week’s Washington City Paper. Also reviewed: Mosaic Theatre Company’s U.S. premiere of Hanna Eady and Edward Mast’s drama The Return.

 

Putting the “All” in All Things Considered: Can Wonder Woman Find a Superhero Theme That Sticks?

WONDER WOMAN

Here we are in Year Ten of the Marvel Cinematic Era, and not one piece of music has emerged from any of the two dozen films based on Marvel characters (released by Marvel Studios and others) that can rival John Williams’ mighty score for Superman: The Movie or even Danny Elfman’s brooding Batman theme.

For years I’ve wondered why this is. But only two days ago did I at last get to ask someone who might know. On today’s All Things Considered, I speak with Rupert Gregson-Williams, who composed the score for director Patty Jenkins’ fine Wonder Woman. You might even hear a cameo by one of the most venerable heroes of the National Public Radio universe, the great Bob Mondello.

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Woolly Mammoth’s Hir and Rick Foucheux’s possibly-career-capping Avant Bard King Lear, reviewed.

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My review of Woolly Mammoth Theatre Company’srich and fervent” production of Taylor Mac’s family tragicomedy Hir is in this week’s Washington City Paper, along with a shorter one of WSC Avant Bard’s latest King Lear — which just might be the swan song of one of DC’s most venerable actors, the great Rick Foucheux. Pick up a paper copy for old time’s sake.