By Any Means Necessary, Any Which Way You Can: War for the Planet of the Apes, reviewed.

WAR FOR THE PLANET OF THE APESWhat a Craig Finn-style blockbuster summer we’re having this year. Nothing as visionary as Mad Max: Fury Road from 2015, maybe, or as congruent with my own sensibilities as The Nice Guys from last year, but everything I picked sight unseen for my Village Voice/LA Weekly summer movie preview—Wonder Woman, The Beguiled, Baby Driver, Spider-Man: Homecoming—has so far avoided embarrassing me. I even liked Rough Night okay. It’s possible I’m not all that discerning a critic.

But my praise for War of the Planet of the Apes is well-founded. Even though I saw the movie weeks before I was assigned to write about it, which might be why the review is uncharacteristically (I hope) light on specific observations.

I’m seeing Dunkirk—and talking with Christopher Nolan!—as soon as I get home from my present holiday in Scotland, and Atomic Blonde and Detroit in short order after that.

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