Daily Archives: September 15, 2017

The Unclean House: mother!, reviewed.

mother!
No one is under any obligation to like Darren Aronofsky’s mother! (sic) (or his mother) or any other movie (or person), obviously. Even so, mother! is the sort of challenging picture that offers a good test for whether a critic—regardless of where he or she stands on the question of the film’s artistic merit—has any imagination at all. I’ve seen some fine writing on this movie and some truly dreadful, dumb, reductive writing. I hope my own NPR review is one of the former specimens, even though it takes the form of a long argument against you reading it.

Wake Up: Studio’s Skeleton Crew and Theatre Alliance’s Word Becomes Flesh, reviewed.

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You’ve got two, two, two big shows written by and starring people of color up in the District just now: Skeleton Crew, the third entry in Dominique Morisseau’s Detroit series, has the same concerns as Lynne Nottage’s Pulitzer Prize-winning Sweat but it’s a better play, and Studio Theatre’s production is built to last. And Psalmayene 24’s multi Helen Hayes Award-winning production of Marc Bamuthi Joseph’s Word Becomes Flesh is back at Theatre Alliance for a remount starring the same superb cast it did last year. I review both in this week’s Washington City Paper. For which I also wrote the cover story, for some reason. It’s not like I get paid by the word, people.