As usual, there were some painful cuts right at the end. I just had to get “Mistress for Christmas” on, even though I used it in (I think) 2011, to honor Malcolm Young of AC/DC. And “Every Day Is Christmas (When I’m Lovin’ You),” even though I used it in 2012, to honor Charles Bradley. That unconscionable folk song about a ski instructor whose notion of consent is such that you hope he perished in an avalanche, but not before being forced to eat his own arm while waiting in vain to be rescued, will just have to wait until the lucky 13th installment. I thought it important to keep each side to no more than, well, an hour.
This thing is finally done, is what matters. It includes two songs released in 2017. Merry Christmas.