I’d say it was the Pop Culture Happy Hour episode for which I’ve been training my entire life, except we just did the Die Hard episode. Anyway, I was glad to be part of the elite panel of holiday song-pickers summoned to the National Public Radio today to argue which Christmas song is the Muhammad Ali Greatest of All Time yulejam, and which one is our individual favorite at this particular moment. The stakes in the latter instance are lower, but that only complicates the emotional work of choosing, because the shackles of convention are all the way off!
It says something about the company I was in—PCHH regular Stephen Thompson, plus two very smart NPR Music staffers, Lyndsey McKenna and Marissa Lorusso—that my selections were somehow the most uptempo of the lot. (They’re all lovely people, whose affection for mopey holiday songs is one I very much share. Click on “Musics of Christmas,” above, for years and years of evidence.)
Had this episode been recorded at an earlier or later hour of the day, I might’ve stanned for James Brown’s “Santa Claus Go Straight to the Ghetto” or “Christmas Love” by Rotary Connection or The Killers’ “Great Big Sled” or even the ‘87 U2 version of Darlene Love’s classic “Christmas (Baby Please Come Home).” But I chose to stump for the lead track off Blue Wave Christmas, the latest ineffable installment in my generally somewhat effable Yuletunes Eclectic and Inexplicable series. (See here, you.) There’s no promotion like self-promotion. Ebeneezer Scrooge had to learn that the hard way. I don’t know what that means, but if you say it out loud with the inflections in the right places, it sounds like it means something.
FURTHER READING: Since Marissa chose “All I Want For Christmas Is You” as her all-timer, perhaps you’d like to revisit my five-year-old Slate piece trying to puzzle out why this song, from 1994, is the most recent entry to be admitted to the perennial holiday songbook. Or my six-year-old Washington Post story about sad-sack seasonal sounds.