Monthly Archives: January 2019

G.I. Jane the Virgin: Miss Bala, reviewed.

2262477 - Gloria

Wherein Gina Rodriguez makes a run at the Reluctant Hero Midwinter Action throne, Ismael Cruz Córdova makes eyes, and Anthony Mackie makes a shockingly brief appearance.

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How Men Crumbled: Arena’s Kleptocracy and Ford’s Twelve Angry Men, reviewed.

Something old, something new, something borrowed, something… something. In this week’s Washington City Paper, I review Kleptocracy, an imperfect but intriguing Vladimir Putin origin story by Kenneth Lin at Arena Stage, starring the guy in the cast who looks the second-most Putinlike as Putin. Plus a puzzling new production of Twelve Angry Men at Ford’s.

Raging at the Sea: Serenity, reviewed.

The stars of Interstellar reunite in Serenity.

Serenity is a soapy, dopey thriller from Steven Knight, who’s made some very good ones. Nolanesque ambition, Shyamalanesque skill. With Matthew McConaughey as Baker Dill, a fisherman/tour guide/gigolo who lives in a shipping container and dreams of tuna. Here’s my review.

Pop Culture Happy Hour: Glass and What’s Making Us Happy

Acting Just Right, Acting Too Much, Not Acting Enough (Jessica Kourkounis/Universal)

I am chuffed to be back on the iHeartRadio Podcast Award-nominated Pop Culture Happy Hour this week to discuss Glass, fallen auteur M. Night Shyamalan’s joint sequel to 2000’s Unbreakable and 2017’s Split. It isn’t very good, but the movie has an anachronistic quality that’s sort of… sweet. While it’s made explicitly clear—every damn thing in this movie is explained and re-re-re-explained—that Glass is set 19 years after Unbreakable, Shyamalan acts as though superhero comics haven’t become Hollywood’s No. 1 source of grist during the back half of that period. (In the years since Unbreakable, we’ve seen three different A-list actors play The Incredible Hulk, for chrissakes.)

https://www.npr.org/player/embed/686226272/686317813

A goodly portion of those films have featured Samuel L. Jackson, who, to be fair, looks like he’s having at least as much fun sitting in a wheelchair staring into the middle distance in Glass as he does when he’s cashing another check as Nick Fury. After his brief return to acting in both Wes Anderson’s Moonrise Kingdom and Rian Johnson’s Looper back in 2012, I’d hoped maybe Bruce Willis would deign to open his eyes again, but no such luck. And the movie’s top-billed star continues to perform his solo show Scares Ahoy with James McAvoy.

You can listen to the episode here.

The Great War: They Shall Not Grow Old, reviewed.

I was moved by Peter Jackson’s World War I documentary They Shall Not Grow Old, which uses digital wizardry to conjure empathy, not spectacle. I didn’t have space to go into it in my NPR review, but I wondered how J.R.R. Tolkien’s experience of the war might’ve shaped Jackson’s sense of it. Jackson did spend a sizable chunk of his career adapting Tolkien’s novels, for better and for worse.