How Men Crumbled: Arena’s Kleptocracy and Ford’s Twelve Angry Men, reviewed.

Something old, something new, something borrowed, something… something. In this week’s Washington City Paper, I review Kleptocracy, an imperfect but intriguing Vladimir Putin origin story by Kenneth Lin at Arena Stage, starring the guy in the cast who looks the second-most Putinlike as Putin. Plus a puzzling new production of Twelve Angry Men at Ford’s.

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