Panzer Kunist is, as I’m sure I need not tell a cinephile and aesthete as refined and discerning and educated as you are, an ancient cyborg martial art that has largely died out by the mid-26th century. More importantly, Panzer Kunst has the satisfying hard consonants of words that were forbidden on 20th century television. It seems like it could work as any part of speech, which makes it especially panzer to kunst as kunst as possible. Panzer Kunst!
On the new Alita: Battle Angel. My review is here.
We didn’t think I’d actually get to interview everyone I had on my to-interview wish list. That never happens. Only this time it did, which is how I came to have five different voices in my four-and-a-half-minute All Things Considered piece on the animation in Spider-Man: Into the Spider Verse, a movie I cannot wait to see again.
All of them—producer Chris Miller, producer/co-screenwriter Phil Lord, co-screenwriter/co-director Rodney Rothman, co-director Peter Ramsey, and finally, Eisner Award-winning comic book writer Brian Michael Bendis, who (with artist Sara Pichelli), created Miles Morales, the primary hero of Spider-Verse—had smart, illuminating things to say. I spoke to Bendis solo and Lord & Miller and Rothman & Ramsey in pairs, and pretty soon I had something like 75 minutes of good tape for a story that could accommodate mmmmaybe two-and-a-half minutes of that.
It was an epic job of cutting, followed by more frantic cutting, and then more surgical cutting. My editor, Nina Gregory, and news assistant Milton Guevara, showed me how radio pros get things done on deadline. Bob Mondello, who’d suggested the piece in the first place, gave me some vocal coaching in the booth.
I wish we could’ve used more of what all those smart, imaginative people had to say. I wish we could’ve made the segment 15 minutes long. But I’m very happy with what we managed to pack into about 240 seconds.
There’s lots of stuff I didn’t have room for in my NPR review of this enervating zeppelin-crash of a superhero flick, but first things first: Gotham City and Metropolis are just across the bay from one another? So close that a person who doesn’t have Super-eyesight can see the Bat-signal lighting up the sky over Gotham… from Metropolis? Continue reading →
Because it comes from a promising young filmmaker and features a strong cast, the third attempt to turn Marvel’s proto-super-team The Fantastic Four into a hit movie franchise turns out to be the most disappointing yet. My NPR review is here.
“Julie hated pink. It also seemed as if she could discern gradations of red on the electromagnetic spectrum that no one else could. Humans are ‘trichromats,’ meaning we have three different types of cone cells in our eyes. However, it has been surmised that because of the XX chromosome, some women may possess a fourth variant cone cell, situated between the standard red and green cones. This would make them — like birds — ‘tetrachromats.’ These hypothetical tetrachromats would have the ability to distinguish between two colors a trichchromat would call identical. Continue reading →
It’s the Rosetta Stone of my wordview, really. 1986.
This is the first comic book I ever bought, from one of those HEY KIDS! COMICS! spinner racks in a 7-Eleven somewhere on the south side of Chicago. I think I had stepped out from some kind of an event for a distant relative. I was very young.
Anyway, I found it again in a Midtown Manhattan comics shop this weekend. When I pointed it out to my girlfriend, she said she wanted to buy it for me. A sweet gesture, especially considering the price tag of $6 — 800 percent what I paid for my long-lost copy in what the indicia at the bottom of page one tells me was 1986. Some of the best comics ever published came out that year: Watchmen, MAUS, The Dark Knight Returns, Love & Rockets, etc., etc. I wouldn’t find out about those until later. They didn’t sell those comics in 7-Elevens. Continue reading →
What a thrill it was for me to talk last week with comics master Art Spiegelman, who’ll give his Comix 101 lecture tonight at the Corcoran. If you’re still curious after reading my preview (it’s a PDF) in today’s Examiner (aimed, like Spiegelman’s talk, at comic book civilians, after all), here’s a little more Spiegelmania, in the from of excerpts from our conversation last Thursday. Continue reading →