Category Archives: sci-fi

Handling the Fingering: Alien: Covenant, reviewed.

ALIEN: COVENANTMy fanboyish impulses mostly come out whenever there’s a new ALIEN. Mostly.

I tried not to splash too much corrosive blood on the deck in my dissection of Alien: Covenant.

Advertisements

The Yule Prologue: Rogue One: A Star Wars Story, reviewed.

null

My NPR review of what is probably the second-most-review-proof movie of the year after Captain America: Civil War (which I reviewed) is here.

Warp Corps: On the 50th anniversary of Star Trek, for Air & Space / Smithsonian

The September issue of Air & Space / Smithsonian, featuring the cover story I desperately wanted to call Warp Corps — because it’s about a corps of people whom Star Trek has inspired and influenced, you see — is now on sale at the National Air and Space Museum (both locations, on the National Mall and at the Steven F. Udvar-Hazy Center in Virginia) as well as at Barnes & Noble stores and the digital retailer of your choice. You can read the feature here. Also, I’d love it if you would come buy a copy of the magazine from me for a paltry one-time fee $6.99 at the Museum during its three-day celebration of Star Trek‘s 50th anniversary. The event kicks off at 7 p.m. on Thursday, Sept. 8 — the evening the Original Series episode “The Man Trap” was first broadcast on NBC. Continue reading

Bay Twelve, Please: Independence Day: Resurgence, reviewed.

INDEPENDENCE DAY: RESURGENCE

The barely-screened-for critics Independence Day: Resurgence is not by any stretch a good movie, but neither was Independence Day, a film I saw at least twice and possibly three times during the grim summer of 1996. I’d even go so far as to say I enjoyed this barely-coherent follow-up a little more. Here’s my alien autopsy, for the Village Voice.

Continue reading

Prose and Retcons, or Don’t Fear the Rewind, or Mulligans’ Wake

“Well, everyone knows Ripley died on Fiornia-161. What this ALIEN movie presupposes is… maybe she didn’t?”

I have a long, long “Exposition” essay up at The Dissolve today inspired by (uncertain) reports that District 9 director Neill Blomkamp’s upcoming Alien movie may be a ret-con scenario that undoes the events of 1992’s Alien-little-three, or Alien Cubed – anyway, the one where Ripley died. The piece is about retconning in fiction in general, and why it doesn’t much impair my ability or inclination to suspend my disbelief at all.

If you’re quite comfortable in your chair, and you’re stout of heart and nerdy of temperament… Onward!

Specific is Baby Universe-al

Baby Universe No. 7,001 isn't like the others.

Baby Universe No. 7,001 isn’t like the others.

If this summer’s crop of megabudget blockbusters aren’t floating your barge, perhaps you’ll take to heart my unequivocal endorsement of Baby Universe, the whimsical and yet nourishing sci-fi puppet show now at Studio Theatre that achieves grand scale via modest means.

The piece is a co-production of Nordland Visual Theatre and Wakka Wakka, the same consortium that did Fabrik, a similarly dark and ambitious, not-necessarily-for-kids puppet play I saw in New York five years ago. These groups are really good at coming up with unlikely material that suits their chosen medium perfectly; it’s hard to imagine what the live-action version of these shows would look like. Anyway, Baby Universe is in town through July 14.

Los Angeles, Detroit, Cairo, Rome

Suzanne Bertish and Andrew Long as the titular star-crossed lovers in Antony and Cleopatra. Photo by Carol Pratt.

Either because I am remarkably prolific or because I am distressingly lazy, my reviews of the Shakespeare Theatre’s Antony and Cleopatra and of the X/Detroit Cobras double-bill at the 9:30 Club last Wednesday ended up on DCist the same day. The Friday preceeding Memorial Day weekend, in fact. Given that I posted them both after lunchtime, I’m confident that tens and tens of people read both trenchant works of art criticism.

Happy Memorial Day, everybody.

X: Exene Cervenka, Billy Zoom, Jon Doe, and D.J. Bonebrake, pictured sometime well in advance of their current 31st anniversary tour.