Criticism imitating art imitating life: My Washington City Paper review of Annie Baker’s John at Signature Theatre is three times as long as my review of the touring Underground Railroad Game at Woolly Mammoth, just as John is three times as long as Underground Railroad Game. And roughly a third as rewarding.
Your mileage, as ever, may vary.
I’ve got reviews of two shows I enjoyed in this week’s Washington City Paper: Studio Theatre second-in-command Matt Torney’s confident new production of Brian Friel’s 40-year-old Irish classic Translations, and Aaron Posner’s The Winter’s Tale over at the Folger. The former as a lot of superb performers who haven’t worked a lot in Washington before. The latter has a bunch of Posner’s favorite actors (and mine), but it’s Michael Tisdale as the maniacal King Leontes who’s the standout.
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Tagged Aaron Posner, Aldo Billingslea, Brad Armacost, Brian Friel, Cary Donaldson, Daven Ralston, Eric Hissom, Erin Gann, Folger Theatre, Jeff Keogh, Kate deBuys, Kimberly Gilbert, Martin Giles, Matt Torney, Matthew Aldwin McGee, Megan Graves, Michael Tisdale, Molly Carden, play reviews, Studio Theatre, Washington City Paper, William Shakespeare
As much as like going to Ford’s Theatre to see plays about Abraham Lincoln, going to Anacostia to see plays about Frederick Douglass is a rarer pleasure. Here’s my review of Theatre Alliance’s production of Idris Goodwin’s The Raid, from this week’s Washington City Paper.
I wrote about Arena Stage’s production of Robert Schenkkan’s LBJ play The Great Society in this week’s Washington City Paper.
My feature on Cabaret Rising, the latest and most ambitious interactive theatre project from TBD Immersive, is in this week’s Washington City Paper. The show runs through March 4.
Annalisa Dias’s world premiere Gitmo detainee drama 4,380 Nights is a strong offering in the Womens’ Voices Theatre Festival. My review is in this week’s Washington City Paper.
Ahmad Kamal and Lynette Rathnam (C Stanley Photography)
I wish I could muster more enthusiasm for Michael Kahn’s final Hamlet, starring Michael Urie, or for Sovereignty, an Arena Stage World Premiere entry in the Women’s Voices Theater Festival written by Mary Kathryn Nagle, who knows whereof she speaks but not how to make it sing. Those reviews are in this week’s Washington City Paper.