Category Archives: theatre

Sisters of No Mercy: Three Sisters and No Sisters, reviewed.

Caroline Hewitt, Ryan Rilette, William Vaughan, Emilie Krause, Josh Thomas, Craig Wallace, Ro Boddie, and Nick Torres in Three Sisters. Photo- Teresa Wood. Bridget Flanery, Emilie Krause, Ryan Rilette, and Caroline Hewitt (Teresa Wood) .jpg

Studio Theatre is putting on a ballsy experiment for the next month or so, running a new production of Three Sisters and No SistersAaron Posner’s companion play—not in rep but literally on top of one another. I review both in this week’s Washington City Paper.

FURTHER READING: My April 2015 review of Round House’s Uncle Vanya. My January 2015 review of Posner’s Life Sucks, or the Present Ridiculous at Theatre J. My June 2013 review of Stupid Fucking Bird. And my August 2011 review of the Sydney Theatre Company’s Uncle Vanya, starring Cate Blanchett and Hugo Weaving.

Visions of Diana: King Charles III and I Wanna Fucking Tear You Apart, reviewed.

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I’m putting y’all on notice: My reviews of King Charles IIIMike Bartlett’s marvelous blank verse political drama at the Shakespeare Theatre—and Studio Theatre’s world premiere production of Morgan Gould’s I Wanna Fucking Tear You Apart are in this week’s Washington City Paper.

Period Piece: On Theater J’s The How and the Why

the-how-and-the-why-rehearsal-photoHere’s a little preview I wrote for Theater J’s imminent production of The How and the Why, a play about dueling evolutionary theories regarding menstruation from The Affair showrunner Sarah Treem. It’s in today’s Washington City Paper.

 

What Happens in Orlando Stays in Orlando: As You Like It, reviewed.

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As You Like It is my favorite Shakespearean comedy after Twelfth Night, but when the actor playing Orlando can’t hang with the actor playing Rosalind, it prevents this pleasant diversion from being something deeper. I reviewed the Folger Theatre’s production in this week’s Washington City Paper.

Court Disorder: Roe, reviewed.

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My review of Lisa Loomer’s Roe — an “openly didactic wiki-play” that was never meant to be as timely as it is — is in this week’s Washington City Paper.

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Kitchen-Sink Drama: The Gabriels: Election Year in the Life of One Family, reviewed.

Hungry<br /> Public Theatre<br /> LuEster<br /> HUNGRY<br /> Written and Directed by Richard Nelson<br /> Featuring Meg Gibson, Lynn Hawley, Roberta Maxwell, Maryann Plunkett, Jay O. Sanders, and Amy Warren<br /> Sets &amp; Costumes Susan Hilferty<br /> Lighting Jennifer Tipton

Amy Warren, Maryann Plunkett, Lynn Hawley, and Meg Gibson in “Hungry” at the Public Theater, March 2016.

Notice is posted: My review of playwright/director Richard Nelson’s three-play cycle The Gabriels, which I took in during a single nine-hour period at the Kennedy Center last Sunday, is in this week’s Washington City Paper.

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Unsinkable? Unthinkable! Signature Theatre’s all-singing, all-dancing Titanic, reviewed.

id3a0868Signature Theatre has revived Titanic, a multi-Tony Award-winning musical from 1997 that almost no one remembers. Apparently it was upstaged by some movie? My Washington City Paper review is here.