Tag Archives: adaptation

Folger’s Orestes: My Big, Fat Greek Tragedy

Holly Twyford and Jay Sullivan in Orestes: A Tragic Romp / copyright Carol Pratt/Folger Theatre

Poor Orestes! Ever since he and his sister Electra killed their mom on the orders of a god, he can’t get no relief. Matricide-avenging Furies subject him to violent fits of madness, like a heroin addict trying to cold-turkey, and only a likely sentence of death by stoning waits to end his torment.

But lo, his buddy Pylades has a plan.

Forget the fact that Euripides’s Orestes was first performed more than 2,400 years ago. Anne Washburn’s new “transadaptation,” cheekily subtitled A Tragic Romp and brought to incongruous life in director Aaron Posner’s kinetic new staging at the Folger Theatre, is one of the spriest entertainments in town. Powered by Jay Sullivan’s ashen, bloodshot turn in the title role, and spiked by frequent, floorboard-threatening musical numbers via a five-woman dance-team-as-Greek-chorus, it’s as tonally erratic as it is totally awesome. Continue reading

Advertisements

Sometimes the Movie Is as Good as the Book: Nick Hornby Interviewed, Part the Second

Nick Hornby photographed by Sigrid Estrada

I spoke with the the great novelist and essayist Nick Hornby about a month ago, just prior to his swing through Our Nation’s Capitol to promote his swell new novel Juliet, Naked, which we discussed at some length. His other current release, the film An Education, for which he wrote the screenplay, opens here in DC at the Landmark E Street Cinema tomorrow. I haven’t seen it yet, but the great and good Michael Phillips of the Chicago Tribune and At the Movies tells me it’s “awfully charming.”

Herewith, the second part of our conversation, wherein we discuss his thoughts on the movies derived from his books, favorite music of the moment, and wither The Believer. Continue reading