Tag Archives: Arena Stage

How Men Crumbled: Arena’s Kleptocracy and Ford’s Twelve Angry Men, reviewed.

Something old, something new, something borrowed, something… something. In this week’s Washington City Paper, I review Kleptocracy, an imperfect but intriguing Vladimir Putin origin story by Kenneth Lin at Arena Stage, starring the guy in the cast who looks the second-most Putinlike as Putin. Plus a puzzling new production of Twelve Angry Men at Ford’s.

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What’s Past Is Prologue: The Great Society, reviewed.

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I wrote about Arena Stage’s production of Robert Schenkkan’s LBJ play The Great Society in this week’s Washington City Paper.

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Dry Goods: Hamlet and Sovereignty, reviewed.

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I wish I could muster more enthusiasm for Michael Kahn’s final Hamlet, starring Michael Urie, or for Sovereignty, an Arena Stage World Premiere entry in the Women’s Voices Theater Festival written by Mary Kathryn Nagle, who knows whereof she speaks but not how to make it sing. Those reviews are in this week’s Washington City Paper.

Court Disorder: Roe, reviewed.

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My review of Lisa Loomer’s Roe — an “openly didactic wiki-play” that was never meant to be as timely as it is — is in this week’s Washington City Paper.

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Losin’ It: All the Way and The Mystery of Love and Sex, reviewed.

Jack Willis as President Lyndon Baines Johnson and Bowman Wright as Martin Luther King, Jr. (Stan Barouh)

Prince is all I’ve thought about in the can-it-really-be-only-a-day since the world learned of his death, but here are the two theatre reviews I filed earlier in the week for the Washington City Paper. Arena Stage does Richard Schenkkan’s 2014 Tony winner All the Way, and Signature Theatre stages Bathsheba Doran’s The Mystery of Love and Sex.

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A Silver Spoonful of Sugar: The Lion, reviewed.

hires_thelion_02I struggled with my Washington City Paper review of The Lion, a strong, brief one-man musical play by the singer-songwriter Benjamin Scheuer. This was a case where learning about the circumstances of the show’s creation—as one is wont to do when writing about art—made me like it less in hindsight than I did the moment the performance ended. Is that fair? I’m still not sure. You can observe my attempt to work through my consternation while still giving the artist his due here.

No More: Oliver!, reviewed.

Jake Heston Miller as Oliver! (Margot Schulman)

It’s already been three weeks since I saw Arena Stage’s new production of Oliver! Lionel Bart’s beloved 1960 musical adaptation of Charles Dickens’ Oliver Twist — but for various page-cutting reasons, my review did not run in the Washington City Paper until this week’s issue. Somehow I got through it without mentioning that Jeff McCarthy, who plays Fagan, was in RoboCop 2.