Tag Archives: Channing Tatum

Pop Culture Happy Hour: Logan Lucky, discussed.

LOGAN LUCKY

I dropped by NPR HQ to talk about Steven Soderbergh’s return to features, Logan Lucky, with screenwriter and author Danielle Henderson and regular Pop Culture Happy Hour panelists Linda Holmes and Glen Weldon.  When we recorded this discussion, I’d taken the opportunity to see the movie a second time after filing my review, and my opinion on it had evolved a little. Anyway, you can find the episode here.

I wish I could put my finger on why it read to me as condescending in a Coenesque the first time but not the second. I love the films of Joel and Ethan Coen. But the ones Logan Lucky most recalled for me, Raising Arizona and Fargo, are not among my favorites.

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Hillbilly Elegy: Logan Lucky, reviewed.

LOGAN LUCKY

Logan Lucky, Steven Soderbergh’s return to features after a four-year “retirement” in prestige TV, is a lot of fun, though I’m not as high on it as some. I have the same reservations about it that I do about the Coen Brothers films it most readily recalls. Anyway, here’s my review.

Pop Culture Happy Hour No. 283: Hail, Caesar! and Backstage Stories

No Dames!

I’m very happy to be on the panel for this week’s Hail, Caesar!-inspired Pop Culture Happy Hour, my first with my Washington City Paper pal Bob Mondello. In it, Pal-for-Life Glen Weldon tells Bob he “beat [him] to the Hamlet punch,” which is a funny phrase, if you think about it.  Continue reading

Friends, Coens, Countrymen: All Hail Hail, Caesar!

hail-caesar01

No one in the world can possibly appreciate the way the narrator of the new Coen Brothers picture, Sir Michael Gambon — the man who once declined the role of James Bond because, quoth he, “I’ve got tits like a woman” — says “in westerly Malibu” as much as I do. But just about everyone seems to like the movie. I do, too. My NPR review is here.

Gas Giant: Jupiter Ascending, reviewed.

Channing Tatum and Mila Kunis (Murray Close / Warner Bros.)

Sorry, you guys: Mercury Rising Jupiter Ascending, the Wachowskis’ latest sci-fi epic, is neither the trainwreck you want nor the home run you need. My review, for The Dissolve.