You can see for yourself what a business-casual mood I was in the day Robert Aubry Davis, Jane Horwitz, and I convened at WETA to shoot a fresh batch of Around Town segments. Perhaps you are correct that I should have chosen a shirt that is not the same shade as our studio backdrop. Hey, I don’t tell you how to do your part-time job.
I reviewed Ford’s Death of a Salesman and Constellation’s The Wild Party for the Washington City Paper. For In the Heights, the musical I herein refer to as “Lin-Manuel Miranda’s THX-1138,” I didn’t write about it. I just bought four more tickets the morning after to take my folks. Anyway, because WETA posts videos in a format that WordPress can’t embed, I gotta give you the links: Death of a Salesman, In the Heights, The Wild Party.
Posted in theatre, video
Tagged Constellation Theatre Company, Craig Wallace, Danny Gavigan, Farrell Parker, Kari Ginsburg, Kimberly Schraf, Lin-Manuel Miranda, Olney Theatre Center, Robert Aubry Davis, Round House Theatre, Thomas Keegan, WETA Around Town
What can you do with Death of a Salesman, a play that has never really fallen out of circulation since it debuted almost 70 years ago? Just stay out of its way. Here’s my Washington City Paper review of Ford’s Theatre’s new Craig Wallace-starring production, which I loved.
District Merchants, Aaron Posner’s new Reconstruction-era DC gloss on The Merchant of Venice for the Folger Theatre, is an intriguing muddle; GALA Hispanic Theatre’s production of Octavio Solis’ El Paso Blue is a surrealist hoot. Both reviews appear in this week’s Washington City Paper, available wherever finer alt-weeklies are still hanging on.
Adam Wesley Brown, Ian Merrill Peakes, and Romell Witherspoon in “Rosencrantz and Guildensern Are Dead” (Teresa Wood)
Liam Forde, Kimberly Gilbert, Zdenko Martin, and Michael Glenn in “Jumpers for Goalposts” (Igor Dmitry)
Meeya Davis, Nikiya Mathis, Caroline Clay, Afi Bijou. and Tonye Patano in “The Blood Quilt.” (C. Stanley Photography)
My reviews of — in alphabetical order — the new play The Blood Quilt, the debuting-in-the-U.S. play Jumpers for Goalposts, and the postmodern chestnut Rosencrantz and Guildenstern Are Dead, are all in this week’s Washington City Paper. Except for the latter two of the three, which are online-only. Find them via the links above.
Posted in theatre
Tagged Aaron Posner, Arena Stage, Craig Wallace, Folger Theatre, Ian Merrill Peakes, Kamilah Forbes, Katori Hall, Kimberly Gilbert, Kimberly Schraf, Studio Theatre, The Studio Theatre, Tom Stoppard, Tom Wells, Washington City Paper
Louis Butelli as Feste in Folger’s TWELFTH NIGHT. Photo by Scott Suchman.
No, Elvis Costello has not embarked upon a mandolin tour with Steve Nieve. That’s Louis Butelli, whose performance as Feste is one of the highlights of the Folger Theatre’s new production of Twelfth Night, which I review in today’s Washington City Paper along with Taffety Punk’s spooky The Golem. Grab yourself a copy wherever finer alt-weeklies are given away for free.