“I think I see my future…”
Hey, I didn’t ask to annotate the Die Hard films for NPR Monkey See. I’m just a good man, caught in the wrong place at the wrong time.
No, I did ask. I was just delighted they were willing to run it at the obsessive, possibly excessive — but by no means exhaustive! — length at which I filed it.
I wrote it in a fit of anticipation for A Good Day to Die Hard, a film that, after reading a dozen or so reviews, I’ve decided I won’t be seeing — not in the cinema, anyway, where movies live. “This is a Die Hard movie where no one is trying and nobody cares, which is depressing,” wrote Deadspin’s Will Leitch. I haven’t been able to bring myself to watch Amour yet, so if I’m in a mood for depression-inducing viewing, I’m not gonna waste that on a movie that by all accounts debases a franchise and a character I’ve loved since I was a kid.
“Shhhh, he’s saying we’re totally underrated.”
I’m a big admirer of Matt Singer‘s writing on film. Besides co-hosting the brilliantly titled Filmspotting SVU podcast — a streaming video-focused spinoff of Filmspotting, the long-running Chicago-based movies show I had the honor of appearing on a few times last year — he recently started Criticwire, a great blog about film criticism for Indiewire.
Each weekend, Matt sends a list of film critics a survey question and posts their responses the following Monday. I was thrilled to contribute for the first time to yesterday’s poll, on The Perfect Summer Movie. Almost every film I considered choosing for this honor did show up among the responses, suggesting strong generational (?) consensus on this issue. But I’m glad I went with a dark horse candidate. As always, I did a poor job of constraining my enthusiasm; Matt was kind to post an only slightly abridged version of my encomium — reproduced below in its breathless entirety — to Die Hard with a Vengeance. Continue reading