Tag Archives: film reviews

Shark, Weak: The Meg, reviewed.

Statham MEGPal-for-Life Glen Weldon did me a solid with that headline. Of all the giant-shark thrillers that’ve been scaring us out of the water since Jaws invented the summer blockbuster, The Meg is without question the most recent. Here’s my NPR review.

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Somebody’s Done It Better: The Spy Who Dumped Me, reviewed.

The Spy Who Dumped Me Day 24

I really hate to say this about one of the only movies directed by a woman this summer, but The Spy Who Dumped Me is an oddly violent, only sporadically funny action comedy that doesn’t deserve Kate McKinnon. Here’s my NPR review.

Choose to Accept It: Mission: Impossible — Fallout, reviewed.

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Mission: Impossible — Fallout is the smart spy spectacle SPECTRE shoulda been, and Tom Cruise is the best movie runner since that horse Eadweard Muybridge photographed in 1872. A little too much Cruiseplaining, but whaddayagonnado? Reader, I married it.

“‘Man’ Ain’t Spelled G-U-N, Son!” The Equalizer 2, reviewed.

Ashton Sanders;Denzel WashingtonIf you can stomach the fridging, The Equalizer 2 has a lot to like. Denzel trying to get Ashton Sanders from Moonlight to read Ta-Nehisi Coates’ Between the World and Me, for one thing. Here’s my NPR review.

Deleted Scenes: On Sicario: Day of the Soldado

Benicio Del Toro;Isabela MonerSpoiler for Sicario: Day of the Soldado, which is the Denis Villeneuve/Roger Deakins/Emily Blunt/Daniel Kaluuya-free sequel to the very good 2015 drug war thriller Sicario. Late in the movie, Josh Brolin, reprising his role as a C.I.A. black-ops guy from the first movie, is ordered to kill a 16-year-old girl—an unarmed noncombatant who is the daughter of a drug kingpin but not a criminal herself. There’s more to it than that, but that’s all I’ll say just in case you feel compelled to see the film, which I do not endorse.

Anyway, I talked about that scene in my review, which went into production in November 2016, the same month we elected a president who said on TV during the campaign that if you want to stop terrorists, “you have to go after their families.” Given that Day of the Soldado opens with a scenario wherein Muslim suicide bombers are believed to have snuck into the United States across the Mexican border (though they’re later revealed to have been American citizens from New Jersey), I believe this plot element was directly inspired by the current president’s campaign rhetoric
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Notes on Dinosaur Camp: Jurassic World: Fallen Kingdom, reviewed and discussed on Pop Culture Happy Hour.

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Here’s my review of Jurassic World: Fallen Kingdom. That link will also take you to where you can hear Linda Holmes, Stephen Thompson, and Glen Weldon discuss the movie and its place in the Jurassic-iad with me in the fourth chair.

I regret that it never occurred to me to refer to this film as Jurassic 5 even though “Sum of Us” is an all-timer shadowboxing jam. I also regret that none of us, not even Thompson, thought to mention the moment in Jurassic 5 when it seems like Ted Levine from The Silence of the Lambs is about to start singing “See My Vest.” You’ll know the one I mean.

Try the (Youngblood) Priest: Superfly, reviewed.

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A lot has happened since Super Fly came out in 1972. I wrote about the new no-space remake Superfly, which careens among tones like a chromed-out Cadillac Fleetwood Eldorado that’s had its brake lines cut. But “Youngblood Priest” drives a sensible Lexus in this version, I am sorry to tell you.