Tag Archives: film reviews

Hillbilly Elegy: Logan Lucky, reviewed.

LOGAN LUCKY

Logan Lucky, Steven Soderbergh’s return to features after a four-year “retirement” in prestige TV, is a lot of fun, though I’m not as high on it as some. I have the same reservations about it that I do about the Coen Brothers films it most readily recalls. Anyway, here’s my review.

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Wartime in a Bottle: Dunkirk, reviewed.

BB-T2-0051I’ve never understood the objection that Christopher Nolan’s movies are sterile. Dunkirk, his new dramatization of the 1940 rescue of British soldiers from the beaches of Northern France carried out largely by civilians, knocked me flat. Here’s my review.

By Any Means Necessary, Any Which Way You Can: War for the Planet of the Apes, reviewed.

WAR FOR THE PLANET OF THE APESWhat a Craig Finn-style blockbuster summer we’re having this year. Nothing as visionary as Mad Max: Fury Road from 2015, maybe, or as congruent with my own sensibilities as The Nice Guys from last year, but everything I picked sight unseen for my Village Voice/LA Weekly summer movie preview—Wonder Woman, The Beguiled, Baby Driver, Spider-Man: Homecoming—has so far avoided embarrassing me. I even liked Rough Night okay. It’s possible I’m not all that discerning a critic.

But my praise for War of the Planet of the Apes is well-founded. Even though I saw the movie weeks before I was assigned to write about it, which might be why the review is uncharacteristically (I hope) light on specific observations.
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Mr. Holland’s Opus: Spider-Man: Homecoming, reviewed.

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I know I’m supposed to be sick to death of superhero movies, but I don’t think we’ve ever had three as strong as Logan, Wonder Woman, and the new Spider-Man: Homecoming arrive in such rapid succession. Here’s Homecoming, for NPR. Continue reading

Nobody Puts Baby Driver in a Corner!

Ansel Elgort;Jon Hamm;Jamie Foxx;Eiza Gonzalez

I’ve liked all of writer-director Edgar Wright’s movies, so it’s no surprise that I flipped for his comic thriller Baby Driver. It sings like Freddie Mercury, it dances like Fred Astaire, it burns enough rubber to curl Vin Diesel’s hair.  Run, don’t walk; but for God’s sake don’t drive because you’re likely to kill someone on your way home.

Yo-Ho, Ho-Hum: Pirates of the Caribbean — Dead Men Tell No Tales, reviewed.

nullSitting down to review the new Pirates of the Caribbean, I knew for a fact that I’d seen all four of the prior movies but I couldn’t remember a thing about any of them, except that one had Keith Richards in it for a minute. I expect I’ll forget this one, too, though I wouldn’t be averse to catching it on a double or triple-bill on a nice summer night at the Bengies Drive-In.

Handling the Fingering: Alien: Covenant, reviewed.

ALIEN: COVENANTMy fanboyish impulses mostly come out whenever there’s a new ALIEN. Mostly.

I tried not to splash too much corrosive blood on the deck in my dissection of Alien: Covenant.