Tag Archives: Folger Theatre

What Happens in Orlando Stays in Orlando: As You Like It, reviewed.

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As You Like It is my favorite Shakespearean comedy after Twelfth Night, but when the actor playing Orlando can’t hang with the actor playing Rosalind, it prevents this pleasant diversion from being something deeper. I reviewed the Folger Theatre’s production in this week’s Washington City Paper.

2 Midsummer 2 Dreamz

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I spent a midwinter day and evening taking in two, two, two big productions of A Midsummer Night’s Dream, from WSC Avant Bard and the Folger Theatre. I reviewed the experience for this week’s unusually me-heavy Washington City Paper.

The Play’s the Thing, the Thing, and the Other Thing: The Blood Quilt, Jumpers for Goalposts, and Rosencrantz and Guildenstern Are Dead, reviewed.

My reviews of — in alphabetical order — the new play The Blood Quilt, the debuting-in-the-U.S. play Jumpers for Goalposts, and the postmodern chestnut Rosencrantz and Guildenstern Are Dead, are all in this week’s Washington City Paper. Except for the latter two of the three, which are online-only. Find them via the links above.

On Around Town, talking King Hedley II, Mary Stuart, and Cherokee

Screen Shot 2015-02-26 at 3.29.40 PM On this trio of Around Town discussions, host Robert Aubry Davis, Washington Post arts writer Jane Horwitz and I dissect Arena Stage‘s powerful King Hedley II, Woolly Mammoth‘s meandering Cherokee, and Folger Theatre‘s intriguing Mary Stuart. (My Washington City Paper reviews of are here, here, and here, respectively.) I’m sorry my hair wasn’t as concise and insightful on this day as I strive at all times for it to be. Continue reading

There’re Two Things About Mary: The Widow Lincoln and Mary Stuart, reviewed.

Mary Bacon and Caroline Clay as Mary Todd Lincoln  and Elizabeth Keckley in "The Widow Lincoln" at Ford's Theatre.

My reviews of The Widow Lincoln, a world premiere play from writer James Still at Ford’s Theatre, and of the Folger Theatre‘s new production of Mary Stuart, are in tomorrow’s Washington City Paper, and also right here.

FURTHER READING: My review of Still’s prior Lincoln play for Ford’s, The Heavens Are Hung in Black, from 2009. And my 2010 review of WSC Avant Bard‘s Mary Stuart.

On Around Town, talking Sex with Strangers, Julius Caesar, and How We Got On

For more on how abysmal I am at looking into a camera and smiling when someone says my name, we take you now to the studios of WETA, where I was pleased to join Around Town host Robert Aubry Davis and Washington Post arts writer Jane Horwitz last week for very brief discussions of three shows I recently reviewed for the Washington City Paper, starting with my favorite of 2014, Signature Theatre’s production of Laura Eason‘s Sex with Strangers.

Continue reading

We Can Do This Like Brutus: Julius Caesar and How We Got On, reviewed.

My reviews of Folger Theatre’s Julius Caesar and Forum Theatre’s production of Idris Goodwin’s How We Got On are in today’s Washington City Paper.