Tag Archives: Folger Theatre

Bitches Be Cray: Saint Joan and The Small Room at the Top of the Stairs, reviewed.

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My reviews of Bedlam’s visiting production of Saint Joan at the Folger and of Spooky Action’s local premiere of Carole Fréchette’s The Small Room at the Top of the Stairs were in last week’s Washington City Paper, but for mysterious reasons took a few extra days to surface online. Enjoy.
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Language Bury Her: Studio’s Translations and Folger’s The Winter’s Tale, reviewed.

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I’ve got reviews of two shows I enjoyed in this week’s Washington City Paper: Studio Theatre second-in-command Matt Torney’s confident new production of Brian Friel’s 40-year-old Irish classic Translations, and Aaron Posner’s The Winter’s Tale over at the Folger. The former as a lot of superb performers who haven’t worked a lot in Washington before. The latter has a bunch of Posner’s favorite actors (and mine), but it’s Michael Tisdale as the maniacal King Leontes who’s the standout.
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Rome If You Want To: Folger’s Antony and Cleopatra, reviewed.

Cody Nickell and Shirine Babb (Teresa Wood)

My Shakespeare professor at James Madison University, Ralph Cohen, told us Antony and Cleopatra was his favorite Shakespeare play. Robert Richmond’s new production for the Folger Theatre, with Cody Nickell and Shirine Babb in the title roles, took me back to my salad days. I reviewed the show in this week’s Washington City Paper. Individual issues are free but the paper is now for sale. It’s all very confusing.

Cody Nickell and Shirine Babb (Teresa Wood)

 

Of Most Rare Note

TWood_Timon_134 Can a working actor get famous in one of Shakespeare’s least-famous plays? In this week’s Washington City Paper, available wherever finer alt-weeklies are given away gratis, I profile the hardworking and versatile titan of stage and stage Mr. Ian Merrill Peakes. He’s currently appearing in the Folger Theatre‘s Timon of Athens, the “Hey Bulldog” of the Shakespearean canon.

What Happens in Orlando Stays in Orlando: As You Like It, reviewed.

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As You Like It is my favorite Shakespearean comedy after Twelfth Night, but when the actor playing Orlando can’t hang with the actor playing Rosalind, it prevents this pleasant diversion from being something deeper. I reviewed the Folger Theatre’s production in this week’s Washington City Paper.

2 Midsummer 2 Dreamz

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I spent a midwinter day and evening taking in two, two, two big productions of A Midsummer Night’s Dream, from WSC Avant Bard and the Folger Theatre. I reviewed the experience for this week’s unusually me-heavy Washington City Paper.

The Play’s the Thing, the Thing, and the Other Thing: The Blood Quilt, Jumpers for Goalposts, and Rosencrantz and Guildenstern Are Dead, reviewed.

My reviews of — in alphabetical order — the new play The Blood Quilt, the debuting-in-the-U.S. play Jumpers for Goalposts, and the postmodern chestnut Rosencrantz and Guildenstern Are Dead, are all in this week’s Washington City Paper. Except for the latter two of the three, which are online-only. Find them via the links above.