Tag Archives: Folger Theatre

There’re Two Things About Mary: The Widow Lincoln and Mary Stuart, reviewed.

Mary Bacon and Caroline Clay as Mary Todd Lincoln  and Elizabeth Keckley in "The Widow Lincoln" at Ford's Theatre.

My reviews of The Widow Lincoln, a world premiere play from writer James Still at Ford’s Theatre, and of the Folger Theatre‘s new production of Mary Stuart, are in tomorrow’s Washington City Paper, and also right here.

FURTHER READING: My review of Still’s prior Lincoln play for Ford’s, The Heavens Are Hung in Black, from 2009. And my 2010 review of WSC Avant Bard‘s Mary Stuart.

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On Around Town, talking Sex with Strangers, Julius Caesar, and How We Got On

For more on how abysmal I am at looking into a camera and smiling when someone says my name, we take you now to the studios of WETA, where I was pleased to join Around Town host Robert Aubry Davis and Washington Post arts writer Jane Horwitz last week for very brief discussions of three shows I recently reviewed for the Washington City Paper, starting with my favorite of 2014, Signature Theatre’s production of Laura Eason‘s Sex with Strangers.

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We Can Do This Like Brutus: Julius Caesar and How We Got On, reviewed.

My reviews of Folger Theatre’s Julius Caesar and Forum Theatre’s production of Idris Goodwin’s How We Got On are in today’s Washington City Paper.

The Life Despotic with Drew Cortese

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I didn’t know Drew Cortese until I saw him in The Motherfucker with the Hat at Studio Theatre this time last year, but the performance made a powerful impression. He’s in Richard III at the Folger Theatre now. We talked about roads not taken and being the bad guy for a piece in today’s Washington City Paper.

All photos by Jeff Malet, courtesy Folger Theatre.

The Motherfucker with the Limp: Folger’s Richard III, reviewed.

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No one was more excited than I was when the Folger Theatre announced that Drew Cortese — a standout player from Studio’s The Motherfucker with the Hat last year — would play Richard III. The show is good, but not the radical reinvention I’d hoped it might be. Read all about it in today’s Washington City Paper on the Internet only.

Wrecks & Effects: Folger’s Twelfth Night and Taffety Punk’s The Golem, reviewed.

Louis Butelli as Feste in Folger's TWELFTH NIGHT. Photo by Scott Suchman.

Louis Butelli as Feste in Folger’s TWELFTH NIGHT. Photo by Scott Suchman.

No, Elvis Costello has not embarked upon a mandolin tour with Steve Nieve. That’s Louis Butelli, whose performance as Feste is one of the highlights of the Folger Theatre’s new production of Twelfth Night, which I review in today’s Washington City Paper along with Taffety Punk’s spooky The Golem. Grab yourself a copy wherever finer alt-weeklies are given away for free.