Tag Archives: Forum Theatre

Taking Trump Literally: Building the Wall, reviewed.

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Robert Schenkkahn’s Building the Wall, a terrifyingly plausible future-history of the Trump Administration that Forum Theatre has scrambled to shoehorn into their season, is a cry of warning that requires little suspension of disbelief.

I saw the show at Arena Stage last week in the first part of its bifurcated, two-venue run. It’s at Forum’s Silver Spring performance space May 18-17. Go. My review is in this week’s Washington City Paper, along with one of The Shakespeare Theatre’s Company’s more-is-less Macbeth.

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Nasty Women, Repped: Dry Land and What Every Girl Should Know, reviewed.

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My review of Forum Theatre’s “Nasty Women Rep,” comprised of Ruby Ray Spiegel’s Dry Land and Monica Byrne’s What Every Girl Should Know, took longer to appear than it should have, but it’s up now. These two shows sustain Forum’s reputation for bold, timely work, and I recommend them—Dry Land, especially.

Totalitarian Recall: 1984 and The Pillowman, reviewed.

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My reviews of the British theatre collective Headlong’s adaptation of George Orwell’s 1984, and Forum Theatre’s new staging of Martin McDonagh’s The Pillowman, are in today’s Washington City Paper. Continue reading

Deliberations of the Cross: The Originalist and Passion Play, reviewed.

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It’s a strong week for theatre here in our Nation’s Capitol. My reviews of The Originalist, Arena Stage playwright-in-residence John Strand’s much-awaited play about Associate Justice Antonin Scalia and United States v. Windsor, and Forum Theatre‘s magnificent production of Sarah Ruhl’s Passion Play, are in today’s Washington City Paper. Go read ’em. Please.

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On Around Town, talking Sex with Strangers, Julius Caesar, and How We Got On

For more on how abysmal I am at looking into a camera and smiling when someone says my name, we take you now to the studios of WETA, where I was pleased to join Around Town host Robert Aubry Davis and Washington Post arts writer Jane Horwitz last week for very brief discussions of three shows I recently reviewed for the Washington City Paper, starting with my favorite of 2014, Signature Theatre’s production of Laura Eason‘s Sex with Strangers.

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We Can Do This Like Brutus: Julius Caesar and How We Got On, reviewed.

My reviews of Folger Theatre’s Julius Caesar and Forum Theatre’s production of Idris Goodwin’s How We Got On are in today’s Washington City Paper.

Freud Where Prohibited: The Last Days of Judas Iscariot and Freud’s Last Session, reviewed, plus some Frank (Britton) discussion.

In today’s Washington City Paper, I review two plays that mull over free will and the existence of God, both of which feature Sigmund Freud as a character. The better of the pair, Stephen Adly Guirgis’ The Last Days of Judas Iscariot, features a towering performance from Frank Britton as Pontius Pilate.

Around 2:15 Tuesday morning, after he’d left the cast party that followed Judas‘ opening-night performance, Britton was assaulted and robbed by four or five unidentified attackers near the Silver Spring Metro stop. He underwent surgery at Holy Cross Hospital to treat a broken cheekbone. Britton does not have medical insurance. A crowdfunding campaign to cover his hospital bills (donate here) has raised over $45,000 so far.
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