District Merchants, Aaron Posner’s new Reconstruction-era DC gloss on The Merchant of Venice for the Folger Theatre, is an intriguing muddle; GALA Hispanic Theatre’s production of Octavio Solis’ El Paso Blue is a surrealist hoot. Both reviews appear in this week’s Washington City Paper, available wherever finer alt-weeklies are still hanging on.
Remember Evita, Andrew Lloyd Webber’s 70s bio-musical about the beloved Argentine political icon Eva Perón? Cinema-tized with Madonna in the 90s? No? Well, it did tend to linger on the relatively dull early section of Perón’s story: the part where she’s alive.
It turns out that when Perón traded cancer for immortality at the martyrdom-enabling age of 33, her role in steering her country’s future was just beginning.