When I saw Woolly Mammoth Theater Company’s production of Jackie Sibblies Drury’sWe Are Proud to Present... in 2014, it was the worst show I’d ever seen. Five-and-a-half years later, it still is. So to say that I liked Woolly’s new production of Fairview, Drury’s Pulitzer Prize-winner that made its debut last year, better than her previous work is of little value. But I liked it a lot. I appreciated it, more like.
I do understand that my approval is not required. It never is. My Washington City Paper review is here.
My Washington City Paper review of Jon Robin Baitz’s already-anachronistic Trump satire Vicuña, which is getting a lavish second production at Mosaic Theatre after premiering in Los Angeles last year, is here.
A surfeit of arts coverage in last week’s Washington City Paper means it took my reviews of Forum’s Caryl Churchill experiment Love and Information and Constellation’s Jazz Age musical The Wild Party ’til now to appear. They’re in the paper this week.
For various critic-related, theater company-related, and publication-related reasons, my reviews of Studio Theatre’s production of Caryl Churchill’s anticolonial sex romp Cloud 9and Constellation Theatre Company’s new production of the Y2K-era Greg Kotis-Mark Hollman musical Urinetown have taken a long time to see print. But they’re in this week’s Washington City Paper, and online, too.
I review Signature Theatre’s production of the Pulitzer Prize-winning comic drama The Flick in this week’s Washington City Paper. It’s the fourth Annie Baker play I’ve reviewed — five if you count her translation of Uncle Vanya — and the second in which I’ve quoted a heckler. Maybe I wouldn’t have done that had I remembered doing it in my review of Studio Theatre’sThe Aliens three-and-a-half years ago.
It’s a strong week for theatre here in our Nation’s Capitol. My reviews of The Originalist, Arena Stage playwright-in-residence John Strand’s much-awaited play about Associate Justice Antonin Scalia and United States v. Windsor, and Forum Theatre‘s magnificent production of Sarah Ruhl’sPassion Play, are in today’s Washington City Paper.Go read ’em. Please.