Tag Archives: Margaret Weitekamp

Warp Corps: On the 50th anniversary of Star Trek, for Air & Space / Smithsonian

The September issue of Air & Space / Smithsonian, featuring the cover story I desperately wanted to call Warp Corps — because it’s about a corps of people whom Star Trek has inspired and influenced, you see — is now on sale at the National Air and Space Museum (both locations, on the National Mall and at the Steven F. Udvar-Hazy Center in Virginia) as well as at Barnes & Noble stores and the digital retailer of your choice. You can read the feature here. Also, I’d love it if you would come buy a copy of the magazine from me for a paltry one-time fee $6.99 at the Museum during its three-day celebration of Star Trek‘s 50th anniversary. The event kicks off at 7 p.m. on Thursday, Sept. 8 — the evening the Original Series episode “The Man Trap” was first broadcast on NBC. Continue reading

Radio, the Final Frontier, or To Go With Some Reasonable Measure of Boldness Where I Myself Have Not Personally Managed, Entirely, to Go Before

My first radio story will be broadcast today. You can listen to it here right now. The process of assembling and editing it was not all that much different from making these. Although in this case I had expert help — WAMU managing producer Tara Boyle — to make the piece sound better. The story is about the starship Enterprise. That is, the impressively large, now-49-year-old model that appeared in every episode of Star Trek, 30 years before computer graphics became Hollywood’s defacto visual effects methodology.

I haven’t spent enough time with the various spinoff series to get much of a read on them, but original-flavor Kirk-Spock-McCoy Star Trek is a thing I love.I initially imagined this segment as a Daily Show-style news package wherein I would feign indignation that an artifact as significant as the civilization-seeking, boldly-going Enterprise ​rates a spot only in the basement of the National Air & Space Museum. (Apparently they also have some spacecraft there that have actually flown in space.) That approach proved to a be little ambitious for my first time out of the gate. There were a couple of jokes and a couple of clips it pained me to lose, but I’m happy with how it turned out.

My favorite formal thing about the story is that I managed to use, chronologically, music from three eras of Trek: Alexander Courage‘s 1966 theme for TV series, two snippets of James Horner‘s score for The Wrath of Khan from 1982, and finally, Michael Giacchino‘s theme from the 2009 Trek reboot directed by J.J. Abrams. Continue reading