Tag Archives: Megan Graves

Theatre of Pain: Woolly’s Gloria and Round House’s Small Mouth Sounds, reviewed.

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After the customary late summer lull, I’m back on the theater beat. Last week’s Washington City Paper featured my reviews of two plays that first appeared in 2015, now making their regional premieres Branden Jacobs-Jenkins’ stunner Gloria, at Woolly Mammoth, and Small Mouth Sounds by Bess Wohl, at Round House.

FURTHER READING: My 2013 City Paper profile of Branden Jacobs-Jenkins is here.

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Language Bury Her: Studio’s Translations and Folger’s The Winter’s Tale, reviewed.

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I’ve got reviews of two shows I enjoyed in this week’s Washington City Paper: Studio Theatre second-in-command Matt Torney’s confident new production of Brian Friel’s 40-year-old Irish classic Translations, and Aaron Posner’s The Winter’s Tale over at the Folger. The former as a lot of superb performers who haven’t worked a lot in Washington before. The latter has a bunch of Posner’s favorite actors (and mine), but it’s Michael Tisdale as the maniacal King Leontes who’s the standout.
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Unconvention Centers: The Welders’ Transmission and Solas Nua’s Wild Sky, reviewed.

Megan Graves and Dylan Morrison Myers in "Wild Sky" (Solas Nua)

In today’s Washington City Paper, I review two new plays being staged in unusual environments. The Welders’ Transmission, by playwright/performer Gwydion Suilebhan, is a thoughtful meditation on the hazards of storytelling, while Deirdre Kinahan’s Wild Sky is a human-scale look back at a pivotal moment in Ireland’s struggle for self-governance. It’s also the first show from Solas Nua in five years. I’m glad they’re back.