Gwydion Suilebhan, the playwright who by day is Woolly Mammoth Theatre Company’s marketing chief, knows how to tailor a pitch. He hooked me on the idea of doing a feature about Woolly co-founder Howard Shalwitz’s return to acting after almost a decade away by suggesting that Shalwitz is DC theatre’s answer to John Cazale. I took him so literally that I had a couple of paragraphs to that effect that my first draft.
Posted in theatre, Woolly Mammoth
Tagged Emily Townley, Gwydion Suilebhan, Howard Shalwitz, Jennifer Mendenhall, John Cazale, Kimberly Gilbert, Michael John Garcés, Tim Getman, Washington City Paper, Woolly Mammoth Theatre Company
Joe Isenberg and Andreu Honeycut (Stan Barouh)
I can’t think of another time I’ve had as visceral and angry a reaction to a play as I did to Jackie Sibblies Drury’s We Are Proud to Present. It takes a lot of gall to sit down with the intent of illuminating a little-known genocide and then decide, at some point during the writing process, to make it all about you.
Profiles of the playwright in the New York Times and the Washington Post cover this. I still kind of want to see the zombie play mentioned in the Times piece, but its revelation that she puts emoticons in her stage directions is unsurprising in light of the clumsiness of We Are Proud, wherein Drury chooses a hacky, wrongheaded premise and then executes it in a way that devolves from merely dull to actually loathsome. Continue reading