Tag Archives: Michael Powell

Pop Culture Happy Hour No. 278: The Hateful Eight and the Theatrical Filmgoing Experience

Jennifer Jason Leigh in "The Hateful Eight." (The Weinstein Co.)

It’s a split verdict from the Pop Culture Happy Hour panel this week on the merits of Quentin Tarantino’s eighth and—on account of having been shot in 65mm Super Panavision, for a 2.76:1 aspect ratio when projected in 70mm—widest feature, The Hateful Eight. I don’t think I was at my sharpest trying to defend the picture. All I can tell is you that I saw its refusal to give us any character to empathize with fully as a strength, not a weakness, and reflective of a deliberate decision by Tarantino. Although more modest in scale and contained in its setting, this is a more complicated film than the two historical fantasias that preceded it, 2009’s Inglorious Basterds and 2012’s Django Unchained. I enjoy and admire all of these films, but it’s very clear in the latter two who is supposed to enjoy the audience’s support. Not so in The Hateful Eight. That discomfiture ain’t for everyone. “The viewership for this one narrows to the self-selected,” wrote my pal Scott Tobias in his NPR review three weeks ago.

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What the Movies Taught Us About World War II Aviation

I wrote this fun piece for my day job. It appears in our May 2015 issue of Air & Space / Smithsonian, now on sale at Barnes & Noble and other fine booksellers and newsstands, as well as the National Air & Space Museum. It’s our 70th anniversary of V-E Day issue, which – because it’ll be out in time for the Arsenal of Democracy Flyover on Friday, May 8th (the actual anniversary) – includes pull-out Spotter Cards you can use to identify the silhouettes of the two dozen vintage warbirds that’ll be buzzing over your head a few minutes past noon if you come down to the National Mall on that day. Continue reading