I wish I could muster more enthusiasm for Michael Kahn’s final Hamlet, starring Michael Urie, or for Sovereignty, an Arena Stage World Premiere entry in the Women’s Voices Theater Festival written by Mary Kathryn Nagle, who knows whereof she speaks but not how to make it sing. Those reviews are in this week’s Washington City Paper.
It’s already been three weeks since I saw Arena Stage’s new production of Oliver! — Lionel Bart’s beloved 1960 musical adaptation of Charles Dickens’ Oliver Twist — but for various page-cutting reasons, my review did not run in the Washington City Paper until this week’s issue. Somehow I got through it without mentioning that Jeff McCarthy, who plays Fagan, was in RoboCop 2.
It’s a strong week for theatre here in our Nation’s Capitol. My reviews of The Originalist, Arena Stage playwright-in-residence John Strand’s much-awaited play about Associate Justice Antonin Scalia and United States v. Windsor, and Forum Theatre‘s magnificent production of Sarah Ruhl’s Passion Play, are in today’s Washington City Paper. Go read ’em. Please.
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Tagged Antonin Scalia, Arena Stage, Benjamin Cunis, Ed Gero, Forum Theatre, John Strand, Laura C. Harris, Michael Dove, Molly Smith, play reviews, The Supreme Court, United States v. Windsor, Washington City Paper
My review of Molly Smith’s reverent, just-the-facts-Ma’am Fiddler on the Roof – my first – is in today’s Washington City Paper.
Hannah Corneau as Hodel & Jonathan Hadary as Tevye in Arena’s Fiddler on the Roof. Photo by Margot Schulman.