Spoiler for Sicario: Day of the Soldado, which is the Denis Villeneuve/Roger Deakins/Emily Blunt/Daniel Kaluuya-free sequel to the very good 2015 drug war thriller Sicario. Late in the movie, Josh Brolin, reprising his role as a C.I.A. black-ops guy from the first movie, is ordered to kill a 16-year-old girl—an unarmed noncombatant who is the daughter of a drug kingpin but not a criminal herself. There’s more to it than that, but that’s all I’ll say just in case you feel compelled to see the film, which I do not endorse.
Anyway, I talked about that scene in my review, which went into production in November 2016, the same month we elected a president who said on TV during the campaign that if you want to stop terrorists, “you have to go after their families.” Given that Day of the Soldado opens with a scenario wherein Muslim suicide bombers are believed to have snuck into the United States across the Mexican border (though they’re later revealed to have been American citizens from New Jersey), I believe this plot element was directly inspired by the current president’s campaign rhetoric
Here we are in Year Ten of the Marvel Cinematic Era, and not one piece of music has emerged from any of the two dozen films based on Marvel characters (released by Marvel Studios and others) that can rival John Williams’ mighty score for Superman: The Movie or even Danny Elfman’s brooding Batman theme.
For years I’ve wondered why this is. But only two days ago did I at last get to ask someone who might know. On today’s All Things Considered, I speak with Rupert Gregson-Williams, who composed the score for director Patty Jenkins’ fine Wonder Woman. You might even hear a cameo by one of the most venerable heroes of the National Public Radio universe, the great Bob Mondello.
Posted in movies, radio, super-heroes, Uncategorized
Tagged All Things Considered, Andrew Limbong, Batman, Bob Mondello, Chris Pine, Danny Elfman, Gal Gadot, John Williams, Joss Whedon, movies, Nina Gregory, NPR, soundtracks, Superman
The Terminator is one of my favorite movies. When my Windy City pals Adam Kempenarr and Josh Larsen announced the other week that they would make writer-director James Cameron’s low-budget, high-concept sci-fi classic the subject of one of their “Sacred Cow” reviews, I knew that the likelihood that Josh—a critic who generally seems to dislike action films, with the bizarre exception of the Fast & the Furious franchise, which to me represents the genre at its most derivative and least inspired—would rain on it. He hates Predator, people! Predator! A film I saw last year at the Library of Congress!
So I took action. To paraphrase Al Capone, you can get farther with a kind word and a quote from The Terminator than you can with a kind word alone. And the threatening voice mail I left for Josh opened last week’s episode.
I suppose if you haven’t seen SPECTRE (or at least Skyfall) and Hail, Caesar! (or at least one of its trailers) this won’t make much sense to you.
I haven’t seen the by-all-accounts underwhelming Terminator: Genisys yet, because since I’ve been busy being a “Critic Fellow” at the one-of-a-kind Eugene O’Neill Theatre Center in the wilds of Connecticut. But I did indulge in some quippy dramaturgy on the wandering-ronin Terminator franchise, for NPR.
I went with my friend and colleague Heather to see San Andreas, and we felt saw the Earth move. That the film really seems not to notice that its fireman chopper-pilot hero is a deserter and a thief is part of the fun. My NPR review, which opens with a discussion of the 1974 Universal Pictures release Earthquake — written by Mario Puzo the same year as The Godfather, Part II! — is here. Continue reading
These are indeed Strange Days we’re living in when my delightful friend Linda Holmes appreciates an action picture more than I do. We have each of us seen only the latter-day installments in the unaccountably resilient Fast & Furious franchise – those would be Nos. 6 and 7, the ones we watched together – which did not deter us from debriefing on the new Furious 7 in a small-batch session Pop Culture Happy Hour, which you can hear here.
Linda loves it. I like it, too, though I have some reservations. (My Travel Channel TV show is actually called Some Reservations. Call your cable operator.) Continue reading