Tag Archives: Nancy Redd

Cheks Mix: Vanya and Sonia and Masha and Spike & Uncle Vanya, reviewed.

We’ve got an An-ton of Chekhov in DC just now, what with Arena Stage doing Christopher Durang’s Tony Award-winning, Chekhov-inflected Sonia and Masha and Vanya and Spike, while Round House Theatre has put together a sublime new Uncle Vanya, working from Pulitzer Prize winner Annie Baker’s recent translation of the play.

I review both of those in today’s Washington City Paper. I have seen Live Art DC’s staged-in-a-bar Drunkle Vanya yet, but it’s stumbling distance from my apartment so I should find the time.

FURTHER READING: My 2010 review of Baker’s Circle Mirror Transformation. My 2011 review of Sydney Theatre Company’s Liv Ullmann-directed, Cate Blanchett and Hugo Weaving-starring Uncle Vanya. My 2012 review of Baker’s The Aliens. My 2013 review of Aaron Posner’s Stupid Fucking Bird, and its follow-up, from earlier, this year, Life Sucks, or the Present Ridiculous. Surely that’s more than enough.

Talking Christmas Songs on HuffPost Live

Klimek on HuffPost Live 2013-12-17The impromptu talking tour that has grown, to my surprise, out of my Slate piece from last week asking why it’s been a generation since we admitted any new songs to the Christmas pop canon, marches on.  I was on HuffPost Live earlier today for about 20 minutes, part of a webcam panel hosted by Nancy Redd that included Huffington Post social media fellow Ryan Kristobak and — this was exciting — Walter Afanasieff, the man who co-wrote “All I Want for Christmas Is You” with Mariah Carey.

The video doesn’t seem to be embeddable, but you can watch the segment here. You’ll see my head bobbing around distractingly — useful in boxing, less so in on-camera interviews. You’ll also get a nice look at my girlfriend’s mom’s spoon collection in the background. Continue reading