I sure hope my friends Linda Holmes, Stephen Thompson, Glen Weldon, Jess Reedy, and Emmanuel Johnson aren’t suffering today from the head cold that audibly ailed me on Monday during the recording of today’s Pop Culture Happy Hour. Our subject is A Beautiful Day in the Neighborhood, the Tom Hanks-IS-Fred Rogers movie directed by Marielle (Can You Ever Forgive Me?) Heller, loosely fashioned after Tom Junod’s 1998 profile of Rogers for Esquire magazine. As I say in the show, this movie’s depiction of the life of a magazine journalist reflects the circa 1998 expectations on which I based career choices that I have, over the last 20 years, had more than one occasion to lament.
Thanks to all of them for allowing me once again to plug my yulemix. You can hear the show right here or via whatever podfeeder brings you your NPR.
Just in time for Veterans Day, disaster artist Roland Emmerich has made a bid to improve upon 1976’s Technicolor / Sensurround-sound sensation Midway with a more historically-focused (but also more heavily-animated) dramatization of the three-day battle that turned the tide of the war in the Pacific. My NPR review of the movie is here.
As in every Terminator movie, the new Dark Fate offers no explanation for why the A.I.—SkyWho? It’s called LEGION now—dispatched only a single cyborg assassin to this time period, or why the human resistance sent only one bodyguard. The answer, of course, is that the one-on-one conceit is just more compelling and dramatic than a platoon representing each faction would be.
My NPR review of Terminator: Dark Fate, a these-were-canon-those-were-not half-reboot in the tradition of Superman Returns and Halloween (2018) is here.
PREPARE YOURSELVES for the long-unawaited, hotly unanticipated sequel to the zombie road movie you’re pretty sure you saw on a plane a decade ago! I didn’t mind watching it one bit. My NPR review is here.
Dolemite Is My Name, a very entertaining but not very curious Origins of a Turkey movie with Eddie Murphy as Rudy Ray Moore and an A+ supporting cast, premieres on Netflix October 25 after a tiny theatrical run. I’ve reviewed it for your convenience.
My abiding love and respect for the work of Bruce Springsteen is a matter of public record and of a couple dozen records. But I must report to you that Bend It Like Beckham director Gurinder Chadha’s new movie Blinded by the Light, about how The Boss inspired Pakistani-British journalist Sarfraz Manzoor to pursue his dream of becoming a writer despite the poverty and racism that surrounded him in Margaret Thatcher’s England, is the jazz-handsy Springsteen jukebox musical that Springsteen on Broadway was supposed to protect us from. It boasts some wonderful performances, though, as well as a previously unreleased Springsteen song that at one point was going to appear on the soundtrack of… Harry Potter and the Sorcerer’s Stone. Huh.
Anyway, my NPR review of Blinded by the Light is here.