Tag Archives: NPR

Toff Guys: "The Gentlemen," reviewed.

Colin Farrell and Charlie Hunnam are no gentlemen. (Christopher Raphael)

An hour after my review of Guy Ritchie’s last crime comedy posted, someone from Rotten Tomatoes wrote me to ask if I deemed the movie, in my professional opinion as a botanist, Fresh or Rotten. They couldn’t tell! And it was good of them to follow-up. They don’t have an option for Fresh With Reservations, which is where I’m at on this one, as I am compelled to explain in the last paragraphs of my NPR review.

Trenchant Warfare: "1917," reviewed.

Here’s my review of Sam Mendes’ 1917. I guess it doesn’t mean much to say it’s the best war movie since Dunkirk (whose Oscar-winning editor, Lee Smith, cut 1917 too) but it is, and it’s first film Mendes has made that I’ve found fully satisfying.

The Ballad of "Richard Jewell"

Sam Rockwell and Paul Walter Hauser are good actors in a bad-faith movie. (Warner Bros.)

Billy Ray, the screenwriter of Richard Jewell—director Clint Eastwood’s disingenuous dramatization of the 1996 case of a security guard falsely accused of a horrific crime—spoke to my screenwriting class at UCLA in 2002 or 2003. I hope that if he’s still doing this some student will ask him how can justify defaming deceased Atlanta Journal-Constitution reporter Kathy Scruggs in his new movie while giving the (also deceased) FBI agent he has depicted as tipping her off in exchange for sex the dignity of a pseudonym. That malicious act undermines everything in the movie that’s any good. My NPR review is here.

Pop Culture Happy Hour: A Beautiful Day in the Neighborhood and What’s Making Us Happy

Tom Hanks as Mr. Rogers. (Lacey Terrell)

I sure hope my friends Linda Holmes, Stephen Thompson, Glen Weldon, Jess Reedy, and Emmanuel Johnson aren’t suffering today from the head cold that audibly ailed me on Monday during the recording of today’s Pop Culture Happy Hour. Our subject is A Beautiful Day in the Neighborhood, the Tom Hanks-IS-Fred Rogers movie directed by Marielle (Can You Ever Forgive Me?) Heller, loosely fashioned after Tom Junod’s 1998 profile of Rogers for Esquire magazine. As I say in the show, this movie’s depiction of the life of a magazine journalist reflects the circa 1998 expectations on which I based career choices that I have, over the last 20 years, had more than one occasion to lament.





Thanks to all of them for allowing me once again to plug my yulemix. You can hear the show right here or via whatever podfeeder brings you your NPR.

Jaws 3-D: Roland Emmerich’s Midway, reviewed.

Ed Skrein and Luke Kleintank as real-life WWII veterans Dick Best and Clarence Dickinson.

Just in time for Veterans Day, disaster artist Roland Emmerich has made a bid to improve upon 1976’s Technicolor / Sensurround-sound sensation Midway with a more historically-focused (but also more heavily-animated) dramatization of the three-day battle that turned the tide of the war in the Pacific. My NPR review of the movie is here.

The Future Is Female: Terminator: Dark Fate, reviewed.

Linda Hamilton as Sarah Connor, the cyborg-hunter whom it turns out did not die of cancer in the late 90s.

As in every Terminator movie, the new Dark Fate offers no explanation for why the A.I.—SkyWho? It’s called LEGION now—dispatched only a single cyborg assassin to this time period, or why the human resistance sent only one bodyguard. The answer, of course, is that the one-on-one conceit is just more compelling and dramatic than a platoon representing each faction would be.

My NPR review of Terminator: Dark Fate, a these-were-canon-those-were-not half-reboot in the tradition of Superman Returns and Halloween (2018) is here.

Zeke, a Mouse: Zombieland: Double Tap, reviewed.

Rosario Dawson (second from left) joins Breslin, Eisenberg, Stone, and Harrelson for the decade-later sequel. (Sony)

PREPARE YOURSELVES for the long-unawaited, hotly unanticipated sequel to the zombie road movie you’re pretty sure you saw on a plane a decade ago! I didn’t mind watching it one bit. My NPR review is here.