Tag Archives: play reviews

Less Is More: John and Underground Railroad Game, reviewed.

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Criticism imitating art imitating life: My Washington City Paper review of Annie Baker’s John at Signature Theatre is three times as long as my review of the touring Underground Railroad Game at Woolly Mammoth, just as John is three times as long as Underground Railroad Game. And roughly a third as rewarding.

Your mileage, as ever, may vary.

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Language Bury Her: Studio’s Translations and Folger’s The Winter’s Tale, reviewed.

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I’ve got reviews of two shows I enjoyed in this week’s Washington City Paper: Studio Theatre second-in-command Matt Torney’s confident new production of Brian Friel’s 40-year-old Irish classic Translations, and Aaron Posner’s The Winter’s Tale over at the Folger. The former as a lot of superb performers who haven’t worked a lot in Washington before. The latter has a bunch of Posner’s favorite actors (and mine), but it’s Michael Tisdale as the maniacal King Leontes who’s the standout.
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John Brown’s Body: The Raid, reviewed.

Copy of CSH_1676As much as like going to Ford’s Theatre to see plays about Abraham Lincoln, going to Anacostia to see plays about Frederick Douglass is a rarer pleasure. Here’s my review of Theatre Alliance’s production of Idris Goodwin’s The Raid, from this week’s Washington City Paper.

What’s Past Is Prologue: The Great Society, reviewed.

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I wrote about Arena Stage’s production of Robert Schenkkan’s LBJ play The Great Society in this week’s Washington City Paper.

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Apprentice v Apprentice: Vicuña & The American Epilogue, reviewed.

CSH_3795 copyMy Washington City Paper review of Jon Robin Baitz’s already-anachronistic Trump satire Vicuña, which is getting a lavish second production at Mosaic Theatre after premiering in Los Angeles last year, is here.

The Strangest Yard: Whipping, or The Football Hamlet, reviewed. Plus: King Kirby.

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My review of Kathleen Akerley’s latest opus, Whipping, or The Football Hamlet, is in today’s Washington City Paper, along with a few paragraphs about another show that has regrettably already closed: Crystal Skillman & Fred Van Lente’s King Kirby, a bio-play about legendary comic book artist Jack Kirby and his lifelong struggle to be fairly compensated for the dozens of Marvel Comics characters he created—or co-created with Stan Lee. They don’t agree on who did what, and therein lies the tale.

If this subject interests you, I recommend Sean Howe’s 2012 history Marvel Comics: The Untold Story.

Woolly Mammoth’s Hir and Rick Foucheux’s possibly-career-capping Avant Bard King Lear, reviewed.

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My review of Woolly Mammoth Theatre Company’srich and fervent” production of Taylor Mac’s family tragicomedy Hir is in this week’s Washington City Paper, along with a shorter one of WSC Avant Bard’s latest King Lear — which just might be the swan song of one of DC’s most venerable actors, the great Rick Foucheux. Pick up a paper copy for old time’s sake.