I sure hope my friends Linda Holmes, Stephen Thompson, Glen Weldon, Jess Reedy, and Emmanuel Johnson aren’t suffering today from the head cold that audibly ailed me on Monday during the recording of today’s Pop Culture Happy Hour. Our subject is A Beautiful Day in the Neighborhood, the Tom Hanks-IS-Fred Rogers movie directed by Marielle (Can You Ever Forgive Me?) Heller, loosely fashioned after Tom Junod’s 1998 profile of Rogers for Esquire magazine. As I say in the show, this movie’s depiction of the life of a magazine journalist reflects the circa 1998 expectations on which I based career choices that I have, over the last 20 years, had more than one occasion to lament.
Thanks to all of them for allowing me once again to plug my yulemix. You can hear the show right here or via whatever podfeeder brings you your NPR.
Today’s Pop Culture Happy Hour is a special one for me because Jess Reedy summoned me to huddle with Barry Hardymon, Katie Pressley, and host Stephen Thompson on The Goldfinch — John Crowley’s new film adaptation of a Pulitzer Prize-winning novel by Donna Tartt that remains far afield of my usual bailiwicks of fisticuffs and rocketships. Plus I get to shout out Meow Wolf, perhaps the highlight of my visit to New Mexico last week.
Yesterday’s exciting episode of Pop Culture Happy Hour featured Linda Holmes’ triumphant return to the host chair after the triumphant publication of her debut novel. Hooray! In a deleted scene, I asked the panel—my forever Fast & Furious viewing-mate Linda, my sister-from-another-mother Daisy Rosario, and new friend Christina Tucker of the Unfriendly Black Hotties podcast—if I was the only one of use suffering from what I am loath to call “JohnsonFatigue.”
Yes, came the three ladies’ reply. It’s just you. So be it! This was an especially fun episode. My review of Fast & Furious Presents: Hobbs & Shaw is right here.
Our Pop Culture Happy Hour dissection of Quentin Tarantino’s ninth picture gave me the opportunity to be on a panel with Monica Castillo, a fellow Eugene O’Neill National Critics Institute fellow and someone with whom I’d not previously had the pleasure of speaking, though we have friends and colleagues in common. A fun episode. After some deliberation, we elected to avoid any in-depth discussion of the ending of the film.
What a treat to dissect the third and gnarliest John Wick with Linda and Glen and Aisha Harris.
While recommending Brian Raftery’sBest. Movie. Year. Ever: How 1999 Blew Up the Big Screen, I happened to name one of my most be-loathed movies from that year, the Best Picture-winning American Beauty, while omitting the names of my most beloved: Rushmore, Three Kings, Eyes Wide Shut, and so on. Raftery did not include John McTiernan’s remake of The Thomas Crown Affair in his book about 1999’s most notable and groundbreaking movies, probably because a remake of a 30-year-old thriller isn’t groundbreaking, and the movie did not have a substantial cultural impact.
But it was was the last good movie McTiernan made, I’m sorry to say, and I saw it in the theater that summer along with Star Wars: Episode I — The Phantom Menace, Austin Powers: The Spy Who Shagged Me, Notting Hill, American Pie, The Sixth Sense, Mystery Men, and all the rest, and I have revisited it on several occasions since.
I’d say it was the Pop Culture Happy Hour episode for which I’ve been training my entire life, except we just did the Die Hard episode. Anyway, I was glad to be part of the elite panel of holiday song-pickers summoned to the National Public Radio today to argue which Christmas song is the Muhammad Ali Greatest of All Time yulejam, and which one is our individual favorite at this particular moment. The stakes in the latter instance are lower, but that only complicates the emotional work of choosing, because the shackles of convention are all the way off!
It says something about the company I was in—PCHH regular Stephen Thompson, plus two very smart NPR Music staffers, Lyndsey McKenna and Marissa Lorusso—that my selections were somehow the most uptempo of the lot. (They’re all lovely people, whose affection for mopey holiday songs is one I very much share. Click on “Musics of Christmas,” above, for years and years of evidence.)
It had been too long since I got to appear on a PCHH panel with the great Gene Demby from Code Switch, so I was very happy to find myself sitting beside him for this episode dissecting Creed II, which frustrated each of us in different ways. You can hear the episode here; my review of the movie is here.