Tag Archives: Robert Aubry Davis

No Jacket Required, Apparently: Talking Death of a Salesman, In the Heights, and The Wild Party on Around Town

Screen Shot 2017-11-06 at 5.30.55 PMYou can see for yourself what a business-casual mood I was in the day Robert Aubry Davis, Jane Horwitz, and I convened at WETA to shoot a fresh batch of Around Town segments. Perhaps you are correct that I should have chosen a shirt that is not the same shade as our studio backdrop. Hey, I don’t tell you how to do your part-time job.

I reviewed Ford’s Death of a Salesman and Constellation’s The Wild Party for the Washington City Paper. For In the Heights, the musical I herein refer to as “Lin-Manuel Miranda’s THX-1138,” I didn’t write about it. I just bought four more tickets the morning after to take my folks. Anyway, because WETA posts videos in a format that WordPress can’t embed, I gotta give you the links: Death of a Salesman, In the Heights, The Wild Party.

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Talking Skeleton Crew and Word Becomes Flesh on WETA’s Around Town

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If it ever seems like I’m about to well, actually you or anybody else, kindly remind me that this is what happens to my face.

With the return of theatre season comes the return of me trying semi-convincingly to smile on command! Robert Aubry Davis, Jane Horwitz, and I have shot a new batch of short Around Town segments discussing a great pair of shows I reviewed for the Washington City Paper last month, Studio Theatre’s production of Skeleton Crew byDominique Morisseau and Theatre Alliance’s remount of their Helen Hayes Award-winning 2016 version of Marc Bamuthi Joseph Word Becomes Flesh. How to embed those videos here eludes me because I’m an analog guy, but I’ve got links.

Skeleton Crew: http://player.pbs.org/viralplayer/3005059310

Word Becomes Flesh: http://player.pbs.org/viralplayer/3005058510
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On Around Town, talking Uprising and Bad Dog and Alice in Wonderland

Anthony Manough and Cynthia D. Barker in MetroStage's "Uprising." (Chris Banks)

Our long summer hiatus complete, I’m back on WETA’s Around Town with host Robert Aubry Davis and fellow theatregoer Jane Horwitz to talk about three recent shows I reviewed for the Washington City Paper: MetroStage’s historical musical Uprising, Olney Theatre Center’s brutal-but-funny addiction drama Bad Dog, and Synetic Theatre’s confused new version of Alice in Wonderland. You will no doubt notice from my lapels that I am wearing a new sport jacket, at my mom’s insistence. Continue reading

The Hard Sells: Back to Methuselah, Part 2 and Kid Victory, reviewed.

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In today’s snow-day edition of the Washington City Paper, I review the second installment in Washington Stage Guild’s three-part, three-year presentation of George Bernard Shaw‘s Back to Methuselah and of the world-premiere John Kander-Greg Pierce musical Kid Victory. Around Town videos wherein Robert Aubry Davis, Jane Horwitz, the gigantic lapels of my shirt, and I dissect these differently taxing shows are here and here.

On Around Town, talking King Hedley II, Mary Stuart, and Cherokee

Screen Shot 2015-02-26 at 3.29.40 PM On this trio of Around Town discussions, host Robert Aubry Davis, Washington Post arts writer Jane Horwitz and I dissect Arena Stage‘s powerful King Hedley II, Woolly Mammoth‘s meandering Cherokee, and Folger Theatre‘s intriguing Mary Stuart. (My Washington City Paper reviews of are here, here, and here, respectively.) I’m sorry my hair wasn’t as concise and insightful on this day as I strive at all times for it to be. Continue reading

Video

On Around Town, talking Choir Boy, Life Sucks, and The Widow Lincoln.

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http://watch.weta.org/viralplayer/2365420189

Three new Around Town play reviews means three new opportunities to attempt to smile on command and to speak in concise sentences that end rather than trail off. (I’ll keep working on it.) This time, host Robert Aubry Davis and Washington Post arts writer Jane Horwitz and I discuss Studio Theatre‘s Choir Boy, Theater J‘s Life Sucks, Or the Present Ridiculous, and Ford’s Theatre’s The Widow Lincoln. That’s two shows I liked a lot, respectively, plus one I liked, well, more than many others did. (My Washington City Paper reviews are here, here, and here.) I am informed that the Choir Boy video aired on WETA right after Downton Abbey last night. I would’ve worn my sport jacket to the taping had I known that would happen, if not a tuxedo and tails.

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Decadence, Inc.: Arena’s You, Nero and Signature’s Hairspray, considered.

Danny Scheie as Nero and Susannah Schulman as Poppaea. (SCOTT SUCHMAN/Arena Stage)

Amy Freed’s You, Nero, is, as I opine in today’s City Paper, a clever play about the limits of art as a humanizing influence. Or maybe the limits of mediocre art as a humanizing influence.

Or maybe it’s about how a bad upbringing can damage you beyond the reach of art’s rehabilitative prowess.

Or mediocre art’s rehabilitative . . . I’m still thinking about this, is the point. Which suggests Freed was successful, even if the ending is kind of a mess. Continue reading