Tag Archives: Sigourney Weaver

Prose and Retcons, or Don’t Fear the Rewind, or Mulligans’ Wake

“Well, everyone knows Ripley died on Fiornia-161. What this ALIEN movie presupposes is… maybe she didn’t?”

I have a long, long “Exposition” essay up at The Dissolve today inspired by (uncertain) reports that District 9 director Neill Blomkamp’s upcoming Alien movie may be a ret-con scenario that undoes the events of 1992’s Alien-little-three, or Alien Cubed – anyway, the one where Ripley died. The piece is about retconning in fiction in general, and why it doesn’t much impair my ability or inclination to suspend my disbelief at all.

If you’re quite comfortable in your chair, and you’re stout of heart and nerdy of temperament… Onward!

What’s It All About, Chappie?

chappie-cp

So Die Antwoord won’t be releasing a cover of “Alfie” with the lyrics updated to promote their surprisingly substantial parts in Neill Blomkamp‘s new RoboCop / Short Circuit hybrid, Chappie? Disappointing.

But then so’s the movie. My NPR review is here. Continue reading

What Gravity Should’ve Learned from ALIENS

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Admittedly, ALIENS is a film I’ve loved unconditionally since I was a kid. I need very little prompting to think about it, and only a little more prompting than that to write about it. But a deleted scene from that 27-year-old movie highlights what is, to me, the sole flaw in Alfonso Curaon’s still-fantastic new space movie Gravity, and how audience expectations have changed in the generation since ALIENS. This is the subject of my first piece for Slate, which you can read here.

There Will Be Acid-Blood: Musing on Prometheus

I owned this.

Over at NPR Monkey See today, I write about about the Sisyphean task Ridley Scott has taken on in trying to make his breathlessly-awaited, origins-of-life epic Prometheus compelling enough to compete with my adolescent obsession with the seminal films of the ALIEN franchise. (Ongoing, sadly. My fascination, not the franchise. But that’s ongoing too, obviously.)

I had fun writing it. I hope you like it. Prometheus is the sort of problem film where you know that diagnosing its failings and parsing its mysteries is the greater, more lasting pleasure than actually watching it (though I did enjoy watching it), a trait it shares with the latter two ALIEN joints. The best I can hope for is to go to my grave having purchased only one home-video version. If you’re interested in used VHS copies of the original release cuts or extended special editions of ALIEN or ALIENS, or the ALIEN Quadrilogy DVD set, I will totally give you a deal.