Tag Archives: Spider-Man

Does Whatever a Spider Can, in Europe: Spider-Man: Far From Home, reviewed.

Secret identity, shmecret identity: Numan Acar, Tom Holland and Jacky Gyllenhaal.

Here’s my NPR review of Spider-Man: Far From Home, a lovably shaggy vestigial tale on the Marvel Cinematic Universe. Y’all are great at this. Now just stop it for a while already.

I’ll be on Pop Culture Happy Hour next week to talk about the movie with the great Mallory Yu, Pal-for-Life Glen Weldon, and guest host Stephen Thompson.

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Talking Spider-Man: Into the Spider-Verse on All Things Considered

We didn’t think I’d actually get to interview everyone I had on my to-interview wish list. That never happens. Only this time it did, which is how I came to have five different voices in my four-and-a-half-minute All Things Considered piece on the animation in Spider-Man: Into the Spider Verse, a movie I cannot wait to see again.

All of them—producer Chris Miller, producer/co-screenwriter Phil Lord, co-screenwriter/co-director Rodney Rothman, co-director Peter Ramsey, and finally, Eisner Award-winning comic book writer Brian Michael Bendis, who (with artist Sara Pichelli), created Miles Morales, the primary hero of Spider-Verse—had smart, illuminating things to say. I spoke to Bendis solo and Lord & Miller and Rothman & Ramsey in pairs, and pretty soon I had something like 75 minutes of good tape for a story that could accommodate mmmmaybe two-and-a-half minutes of that.

It was an epic job of cutting, followed by more frantic cutting, and then more surgical cutting. My editor, Nina Gregory, and news assistant Milton Guevara, showed me how radio pros get things done on deadline. Bob Mondello, who’d suggested the piece in the first place, gave me some vocal coaching in the booth.

I wish we could’ve used more of what all those smart, imaginative people had to say. I wish we could’ve made the segment 15 minutes long. But I’m very happy with what we managed to pack into about 240 seconds.

You can listen to the piece here.

It’s True, All of It: Spider-Man: Into the Spider-Verse, reviewed.

It takes a lot of spider-beings to make a Spider-Verse. (Sony)

Spider-Man: Into the Spider-Verse is the first good Spider-Man movie in, uh, 18 months! But it’s more than that: A fun, warm, visually astonishing omnibus of Spider-lore that elegantly rebukes reactionary fans whose minds are stuck in 1963. I rarely get worked up over animated films—a blind spot I can neither defend nor explain—but I loved this. Here’s my NPR review.

That 90s Show: Venom, reviewed.

Spider-Man 316 cover

For NPR, I reviewed Venom, which I can’t actually prove is a shelved Jim Carrey vehicle from 1997 in which Carrey has now been digitally (and tentacle-y) replaced by Tom Hardy.

But you can’t prove that it’s not.

Mr. Holland’s Opus: Spider-Man: Homecoming, reviewed.

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I know I’m supposed to be sick to death of superhero movies, but I don’t think we’ve ever had three as strong as Logan, Wonder Woman, and the new Spider-Man: Homecoming arrive in such rapid succession. Here’s Homecoming, for NPR. Continue reading

Presenting my fourth annual Village Voice Summer Movie Preview

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It’s a tradition! Here once again I choose a dozen movies due in the next three months for which I’ve got medium-high hopes.

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Julie Taymor Probably Hates Pink Even More Now

Panel from The Amazing Spider-Man #21, by Stan Lee 7 Steve Ditko.“Julie hated pink. It also seemed as if she could discern gradations of red on the electromagnetic spectrum that no one else could. Humans are ‘trichromats,’ meaning we have three different types of cone cells in our eyes. However, it has been surmised that because of the XX chromosome, some women may possess a fourth variant cone cell, situated between the standard red and green cones. This would make them — like birds — ‘tetrachromats.’ These hypothetical tetrachromats would have the ability to distinguish between two colors a trichchromat would call identical. Continue reading