Tag Archives: Stephen Adly Guirgis

A Horse of a Different Color: Between Riverside and Crazy and Equus, reviewed.

Frankie R. Faison, Emily K. Townley, and David Bishins in %22Between Riverside and Crazy%22 (Allie Dearie)

Ryan Tumulty and Ross Destiche in "Equus."

Among my other inspired headline ideas was the immortal “Race, Horse.” Washington City Paper editor-in-chief Steve Cavendish came up with the winning entry: “Crime Doesn’t Neigh.” Bravo, Steve. Herewith, my reviews of Studio’s Between Riverside and Crazy, the 2015 Pulitzer winner from Stephen Adly Guirgis, and Constellation’s new production of Peter Shaffer’s Equus.

 

Freud Where Prohibited: The Last Days of Judas Iscariot and Freud’s Last Session, reviewed, plus some Frank (Britton) discussion.

In today’s Washington City Paper, I review two plays that mull over free will and the existence of God, both of which feature Sigmund Freud as a character. The better of the pair, Stephen Adly Guirgis’ The Last Days of Judas Iscariot, features a towering performance from Frank Britton as Pontius Pilate.

Around 2:15 Tuesday morning, after he’d left the cast party that followed Judas‘ opening-night performance, Britton was assaulted and robbed by four or five unidentified attackers near the Silver Spring Metro stop. He underwent surgery at Holy Cross Hospital to treat a broken cheekbone. Britton does not have medical insurance. A crowdfunding campaign to cover his hospital bills (donate here) has raised over $45,000 so far.
Continue reading