Tag Archives: The Studio Theatre

Apples to Apples, Dust to Dust: Sorry and Regular Singing, reviewed.

Sarah Marshall, Elizabeth Pierotti, Rick Foucheux, Ted van Griethuysen, and Kimberly Schraf in My review of Sorry and Regular Singing, the latter two entries in Richard Nelson’s Apple Family quartet, is in today’s Washington City Paper. I reviewed the the first pair, That Hopey Changey Thing and Sweet and Sad, when the same director and cast staged them here in Washington two years ago. If I’ve little more to say now than I said then, it’s only because the strengths of the magnificent whole are also the strengths of its magnificent component parts.

Personal Is Geopolitical: Chimerica and Women Laughing Alone with Salad, reviewed.

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My review of the U.S. debut of Lucy Kirkwood’s sprawling, ambitious drama Chimerica at the Studio Theatre is in today’s Washington City Paper. Also reviewed: Women Laughing Alone with Salad, a surreal feminist comedy from Sheila Callaghan making its world premiere at Woolly Mammoth Theatre Company. For those keeping score, that’s one great play by a woman that’s not officially part of the Women’s Voices Theatre Festival, and one pretty good play that is. Read those pieces here, or pick up a dead-tree WCP, available wherever finer alt-weeklies are given away gratis — and you don’t even need to have an Amazon Prime subscription! Continue reading

I’ve Got You Under My Skin: Silence! The Musical, reviewed.

Tally Sessions and Laura Jordan in the musical parody "The Silence of the Lambs" demanded.

Tally Sessions and Laura Jordan Hannibal “The Cannibal” Lecter and Clarice Starling, in the musical parody “The Silence of the Lambs” demanded.

Studio Theatre served fava beans as snacks on press night of Silence! The Musical. Tasteful! fuhfuhfuhfuhfuhfuhfuh.

I review the show in today’s Washington City Paper.

The Play’s the Thing, the Thing, and the Other Thing: The Blood Quilt, Jumpers for Goalposts, and Rosencrantz and Guildenstern Are Dead, reviewed.

My reviews of — in alphabetical order — the new play The Blood Quilt, the debuting-in-the-U.S. play Jumpers for Goalposts, and the postmodern chestnut Rosencrantz and Guildenstern Are Dead, are all in this week’s Washington City Paper. Except for the latter two of the three, which are online-only. Find them via the links above.

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On Around Town, talking Laugh, Man of La Mancha, The Originalist, and Soon.

Screen Shot 2015-04-20 at 1.02.20 PMMy regimen of smiling and sentence-speaking practice continues as I join host Robert Aubry Davis and Washington Post arts writer Jane Horwitz for another Around Town panel discussion of what’s happening on stage here in Our Nation’s Capitol and its close suburbs. In this batch of videos, which have also been airing irregularly on your public television, we discuss three shows I reviewed for the Washington City Paper and one I didn’t: Beth Henley’s homage to silent film comedies Laugh, the Shakespeare Theatre’s new production of the classic musical Man of La Mancha, Arena Stage’s world premiere play about divisive Supreme Court Justice Antonin Scalia, The Originalist, and Soon, a new musical about the end of the world, kind of, at Signature Theatre.

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An Imperative, Not a Noun: Beth Henley’s Laugh, reviewed.

Creed Garnick (Roscoe) and Helen Cespedes (Mabel). Photo: Igor Dmitry.

Pulitzer Prize-winner Beth Henley‘s new play Laugh is not like her other plays. It’s wacky. How you feel about wacky will be a better predictor of your experience than you feel about Henley.

My Washington City Paper review is here.

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On Around Town, talking Choir Boy, Life Sucks, and The Widow Lincoln.

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Three new Around Town play reviews means three new opportunities to attempt to smile on command and to speak in concise sentences that end rather than trail off. (I’ll keep working on it.) This time, host Robert Aubry Davis and Washington Post arts writer Jane Horwitz and I discuss Studio Theatre‘s Choir Boy, Theater J‘s Life Sucks, Or the Present Ridiculous, and Ford’s Theatre’s The Widow Lincoln. That’s two shows I liked a lot, respectively, plus one I liked, well, more than many others did. (My Washington City Paper reviews are here, here, and here.) I am informed that the Choir Boy video aired on WETA right after Downton Abbey last night. I would’ve worn my sport jacket to the taping had I known that would happen, if not a tuxedo and tails.

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