Tag Archives: The Studio Theatre

Do You Want to Blow a Secret? Washington Stage Guild’s In Praise of Love and Studio’s Choir Boy, reviewed.

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My reviews of Washington Stage Guild’s sturdy revival of Terence Rattigan‘s In Praise of Love and Studio Theatre’s gospel song-inflected production of Tarell Alvin McCraney‘s Choir Boy are in this’s week’s Washington City Paper. Go find a copy; they’re free! Or read them here.

In Arms’ Way: Golda’s Balcony and Moth, reviewed.

Tovah Feldshuh as Golda Meir in "Golda's Balcony" by William Gibson.

I review Golda’s Balcony, William Gibson’s 2003 solo play about the life of Israeli Prime Minister Golda Meir, and the U.S. premiere of Australian playwright Declan Greene’s Moth in today’s Washington City Paper, available wherever finer alt-weeklies are given away for free. Read all about ’em.

Tovah Feldshuh as Golda Meir.

Habit, Run: Water by the Spoonful and Normal, reviewed.

In today’s Washington City PaperI review the Pultizer-winning drama Water by the Spoonful at Studio Theatre and Molotov’s production of Normal, a play about the Dusseldorf Ripper.

Our Pottymouthed Year: 2013 on the DC Stage, Assessed.

Drew Cortese and Quentin Maré in Studio's "The Motherfucker with the Hat," a 2013 highlight. (Teddy Wolff)

Drew Cortese and Quentin Maré in Studio’s “The Motherfucker with the Hat,” a 2013 highlight. (Teddy Wolff)

We’re wrapping up a highly rewarding and admirably trend-resistant year on DC’s stages, as I aver in this week’s Washington City Paper.

Pop Culture Happy Hour: More Hobbits and Christmas Music

In "Terminator 2: Judgment Day," Sarah Connor gets militarized.

In “Terminator 2,” onetime victim Sarah Connor (Linda Hamilton) gets militarized.

Thanks to Pop Culture Happy Hour full-timers Stephen Thompson, Glen Weldon, and host Linda Holmes for inviting me back on the podcast this week to talk about The Hobbit: The Desolation of Smaug, and a subject closer to my heart than that one, Christmas music. Have I mentioned that I’m very interested in Christmas music?

Our dissection of that enervating Hobbit movie feeds into a discussion of second installments, and some of the ones that really work. If you haven’t seen Terminator 2: Judgment Day in a while, there’s no time like the present, Christmas T-minus five. Continue reading

More Plays About Gatherings and Food: (Half of) The Apple Family Plays, reviewed.

Ted van Griethuysen, Elizabeth Pierotti, Sarah Marshall, Kimberly Schraf, and Rick Foucheux inThat Hopey Changey Thing. (Photo: Teddy Wolff)

Ted van Griethuysen, Elizabeth Pierotti, Sarah Marshall, Kimberly Schraf, and Rick Foucheux in “That Hopey Changey Thing.” (Photo: Teddy Wolff)

The Studio Theatre is staging two of Richard Nelson‘s four Apple Family Plays, the last of which had its world premiere at the Public Theater in New York only last Friday, in repertory. The pair at Studio are That Hopey Change Thing and Sweet and Sad. My review of both is on Arts Desk now, and will show up in print in next week’s City Paper. Happy Thanksgiving.

Specific is Baby Universe-al

Baby Universe No. 7,001 isn't like the others.

Baby Universe No. 7,001 isn’t like the others.

If this summer’s crop of megabudget blockbusters aren’t floating your barge, perhaps you’ll take to heart my unequivocal endorsement of Baby Universe, the whimsical and yet nourishing sci-fi puppet show now at Studio Theatre that achieves grand scale via modest means.

The piece is a co-production of Nordland Visual Theatre and Wakka Wakka, the same consortium that did Fabrik, a similarly dark and ambitious, not-necessarily-for-kids puppet play I saw in New York five years ago. These groups are really good at coming up with unlikely material that suits their chosen medium perfectly; it’s hard to imagine what the live-action version of these shows would look like. Anyway, Baby Universe is in town through July 14.